Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silver-platinum print.

Porch Shadows, 1916

Paul Strand

A work made of daguerreotype.

Untitled (Portrait of Seated Woman and Standing Girl), 1847

Otis Hubbard Cooley

A work made of gelatin silver print.

Nude No. 105, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print.

Old Saloon in Silverton, Colorado, July 1955

Todd Webb

A work made of gelatin silver print.

Dovima with Elephants, Evening Dress by Dior, Cirque d'Hiver, Paris, August 1955, printed 1979

Richard Avedon

A work made of gelatin silver print.

New York, 1950

Aaron Siskind

A work made of gelatin silver print.

The Hand of Man, 1902, printed 1920/39

Alfred Stieglitz

A work made of gelatin silver print.

Nelson Algren Amuses a New Friend, 1949

Art Shay

A work made of chromogenic print.

Purse Strings I, 1989, printed 2012

Moyra Davey

A grouping of 18 photographic reproductions of self-portraits by artist Egon Schiele, some in color, some using only black ink.

After Egon Schiele, 1982

Sherrie Levine

A work made of gelatin silver print.

Untitled (The Rookery, staircase), 1950/72, printed 1973

Richard Nickel

A work made of gelatin silver print.

Rebecca Salsbury Strand, 1922

Alfred Stieglitz

A work made of etching and aquatint on ivory wove paper.

Rad-17, 1964

Ursula Graeff-Hirsch

A work made of daguerreotype.

Untitled (Two Men and a Horse-Drawn Carriage), 1857

A work made of gelatin silver print.

Laughing Mannequins (Maniquís riendo), 1930

Manuel Alvarez-Bravo

A work made of gelatin silver print.

Step, 1933/58

Aris Konstantinidis

A work made of platinum-palladium print.

Cigarette No. 17, New York, 1972, printed December 1974

Irving Penn

A work made of gelatin silver print.

Jack Walls, 1982

Robert Mapplethorpe

A work made of gelatin silver printing out paper print.

Boulevard de Strasbourg (Corsets), 1912

Jean-Eugène-Auguste Atget

Black-and-white photograph of light-skinned girl with dirty smudges on her face and arms, looking straight ahead with a look of defiance as she is held from behind by two hands.

Holding Virginia, from the series "Immediate Family", 1989

Sally Mann

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