Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

"...The Only Ornaments of the Silver, and the Shadowy Room." Death Comes for the Archbishop, Nambe, New Mexico, 1972

Lucia Woods Lindley

A work made of gelatin silver print.

Nude No. 111, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print.

Rebecca Salsbury Strand, 1922

Alfred Stieglitz

A work made of dye imbibition print.

Cottage Tulip: Sorbet, New York, 1967, printed 1986

Irving Penn

A work made of platinum-palladium print.

Sitting Nude Rear, New York, 1993, printed June 1994

Irving Penn

A work made of gelatin silver print.

Last Light, from the series "Immediate Family", 1990

Sally Mann

A work made of lenticular photograph.

Untitled (Blue/Red), 1987

Barbara Kruger

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1967–68".

Portrait of Dianne Bobseine, 1967

Robert F. Haiko

A work made of gelatin silver print.

"...the youngest had a red rose in his mouth" (Samuel), 1968/69

Jan Saudek

A work made of gelatin silver print.

New Year's Eve, 1989/90

Abelardo Morell

A work made of gelatin silver print.

Dannie Mercurio, 150 Schottes Alley, Washington D.C., April 1912

Lewis Wickes Hine

A work made of gelatin silver print.

Priests of the Modern Neiji Temple, 1951

Werner Bischof

A work made of gelatin silver print.

Chicago, 1947, printed 1950/59

Henri Cartier-Bresson

A work made of gelatin silver print.

Issey Miyake Fashion: Face Covered with Hair (A), New York, May 1991, printed 1994

Irving Penn

A work made of albumen print.

Margaret Frances Langton Clarke, 1864, printed c. 1866

Lewis Carroll

A work made of gelatin silver print.

Anita [Nude Back], 1925, printed 1953/54

Edward Weston

A work made of gelatin silver print.

U.S.N., Anchored to Democracy, c. 1915

Mole & Thomas

A work made of gelatin silver print.

Untitled, from the series "Katsura", c. 1960

Yasuhiro Ishimoto

Black-and-white photograph of four brown-skinned figures. A woman in a white wedding dress and veil is seated in the center, holding a bouquet of flowers. She is flanked by two standing men wearing tuxedos, and one standing woman who wears an elaborate dress and holding flowers. The painted backdrop is a faux classical scene, with an arch and a fake window.

Wedding Party of Four, 1927

James VanDerZee

A work made of gelatin silver print.

Negro Barber Shop Interior, Atlanta, 1936, printed c. 1962

Walker Evans

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