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A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

A work made of silver dye-bleach print.

Red River #3, 1989

Andres Serrano

Photomontage featuring a closely cropped color image of a light-skinned woman applying eye makeup with a brush. Covering her eye is a smaller, black-and-white image of a dark-skinned man holding a gun to blindfolded figure holding their hands up high.

Makeup/Hands Up, from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of chromogenic print.

Playboy #38, 1990

Richard Misrach

A work made of gelatin silver print.

Wandmalerei, c. 1926

Gertrud Arndt

A work made of gelatin silver print.

La Villette, Paris, 1929, printed 1930/39

Henri Cartier-Bresson

A work made of platinum-palladium print.

Anaïs Nin, New York, 1971, printed February 1982

Irving Penn

A work made of gelatin silver print.

Midwest Landscape #73, 1963

Art Sinsabaugh

A work made of chromogenic print.

Untitled #183, 1988

Cindy Sherman

A work made of gelatin silver print.

The Bogeyman, 1973

Duane Stephen Michals

A work made of platinum print.

Interior of Church, Tepotzotlán, Mexico, 1924

Tina Modotti

A work made of gelatin silver print.

Negative Portrait, 1925/29

László Moholy-Nagy

A work made of etching, softground, drypoint, and aquatint in black on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of gelatin silver print.

Le Corbusier, New York, 1947, printed c. 1947

Irving Penn

A work made of gelatin silver print.

Rural Scene In Central Maine, Many Oxen Are Still Used, 1930

Lewis Wickes Hine

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of gelatin silver print.

Discussion in Art, San Francisco, 1936

Ansel Adams

A work made of chromogenic print.

Racehorse: The Farm - Calumet Mare with Young Nashua Colt, c. 1957

Robert Riger

A black-and-white print of a 19th-century woman in a frilly dress, staring to the right in a pensive manner. She wears three pearl necklaces and holds flowers.

Anne Thackeray Ritchie, May 1870

Julia Margaret Cameron

A work made of gelatin silver print, no. 5 from the portfolio "manuel alvarez bravo" (1981).

The Visit (La Visita), 1935, printed 1977

Manuel Alvarez-Bravo

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