Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

"Joe's Auto Graveyard", Pennsylvania, 1936, printed c. 1957

Walker Evans

A work made of gelatin silver print.

Roundhouse, R.I.R.R., El Reno, Oklahoma, 1948

Charles Rotkin

A work made of gelatin silver print, from "the americans" (1955/56).

Men's Room, Railway Station, Memphis, Tennessee, 1955/56

Robert Frank

A work made of carbon print.

The Net Mender, 1894

Alfred Stieglitz

A work made of gelatin silver print.

Dorothy True, 1919

Alfred Stieglitz

A work made of chromogenic print.

A Woman at Home in Malibu after Exercising, California, August 1988

Joel Sternfeld

A work made of platinum-palladium print.

Alberto Giacometti, Paris, 1950, printed October 1976

Irving Penn

A work made of gelatin silver print.

Lion (3/4 View), 1986, printed 1986

Irving Penn

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Asia, 1770/80

Derby Porcelain Manufactory

A work made of dye imbibition print.

Halloween, Morton, Mississippi, 1970

William Eggleston

A work made of gelatin silver print.

Campden Hill, London, 1953

Bill Brandt

A work made of gelatin silver print.

Andrew Wyeth, 1994

Arnold Newman

A work made of gelatin silver print.

Eugene Ionesco, New York, October 21, 1983, printed 1984

Irving Penn

A work made of gelatin silver print.

"Arthur, Arthur", 1956/90

Jonathan Bayer

A work made of gelatin silver print.

Nude No. 92, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print.

Tent in Nepal (A), 1967

Per Boije

Color photograph of a light-skinned woman with short blond hair in dress that evokes a school uniform, crouched on the floor with wet hair, looking up with a distressed expression.

Untitled #92, 1981

Cindy Sherman

A work made of gelatin silver print, with applied color.

Entrance to the Exhibition of Economic Achievements, Tpoe, 1997

Valera Cherkashin

Photomontage featuring a closely cropped color image of a light-skinned woman applying eye makeup with a brush. Covering her eye is a smaller, black-and-white image of a dark-skinned man holding a gun to blindfolded figure holding their hands up high.

Makeup/Hands Up, from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of gelatin silver print.

Red Cabbage, Halved, 1930, printed 1953/54

Edward Weston

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