Results for Photographs%3A%20Rhode%20Island%20School%20of%20Design%2C%201967%E2%80%936

Woman on the Street with Her Eyes Closed, 1956

Diane Arbus

A work made of etching, soft ground, drypoint, and aquatint on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

Hartwig House, Truro, Cape Cod, from the series "The Cape", 1976, printed 1979

Joel Meyerowitz

Little Girl Standing At Entrance To A Gallery, 1909

Lewis Wickes Hine

Stouffer's Restaurant, Chicago, 1980

Thomas Frederick Arndt

A work made of dye imbibition print, plate 12 from a portfolio of fourteen images (1974).

Untitled, 1974, printed 1974

William Eggleston

A work made of black chalk, heightened with white on olive paper.

Allegory of the Glory of Princes, 1770/80

Jean Baptiste Marie Pierre

Breastplate, 1570-80

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952

Gordon Parks

Portfolio of Twelve Photographs, 1957

Don Worth

A work made of gilt copper, champlevé enamel.

Plaque with Saints James and John the Evangelist, 1160/80

Beauty Rest, from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of engraving on buff wove paper, matted together with photograph of ticket for physionotrace sitting.

A Physionotrace Portraitist, 1802

Christoph-Wilhelm Bock

42,000 feet over Kansas, 1951

Margaret Bourke-White

Winter Zero Swartzel's "Bottle Farm," Farmersville, Ohio, 1941, printed 1953/54

Edward Weston

Black-and-white photograph of a brown-skinned man seated on the floor looking at some papers, with a desk and spinning wheel.

Mahatma Gandhi Spinning, April 1946

Margaret Bourke-White

Chaim and Renée Gross, New York City, 1942

Arnold Newman

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1966-67".

Providence, R.I., 1966

John McWilliams

A work made of black and colored inks on photographic enlargement.

Celia L. Marriott Apartment, Chicago, Illinois, Interior Perspective, 1983

Krueck & Olsen

A work made of steel, iron, fruitwood, staghorn, and horn.

Woman on the Street with Her Eyes Closed, 1956

At the Café des Ambassadeurs, 1879–80

Hartwig House, Truro, Cape Cod, from the series "The Cape", 1976, printed 1979

Little Girl Standing At Entrance To A Gallery, 1909

Stouffer's Restaurant, Chicago, 1980

Untitled, 1974, printed 1974

Allegory of the Glory of Princes, 1770/80

Breastplate, 1570-80

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952

Portfolio of Twelve Photographs, 1957

Plaque with Saints James and John the Evangelist, 1160/80

Beauty Rest, from the series House Beautiful: Bringing the War Home, 1967–72

A Physionotrace Portraitist, 1802

42,000 feet over Kansas, 1951

Winter Zero Swartzel's "Bottle Farm," Farmersville, Ohio, 1941, printed 1953/54

Mahatma Gandhi Spinning, April 1946

Chaim and Renée Gross, New York City, 1942

Providence, R.I., 1966

Celia L. Marriott Apartment, Chicago, Illinois, Interior Perspective, 1983

Matchlock Petronel, 1570/80

Woman on the Street with Her Eyes Closed, 1956

At the Café des Ambassadeurs, 1879–80

Hartwig House, Truro, Cape Cod, from the series "The Cape", 1976, printed 1979

Little Girl Standing At Entrance To A Gallery, 1909

Stouffer's Restaurant, Chicago, 1980

Untitled, 1974, printed 1974

Allegory of the Glory of Princes, 1770/80

Breastplate, 1570-80

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952

Portfolio of Twelve Photographs, 1957

Plaque with Saints James and John the Evangelist, 1160/80

Beauty Rest, from the series House Beautiful: Bringing the War Home, 1967–72

A Physionotrace Portraitist, 1802

42,000 feet over Kansas, 1951

Winter Zero Swartzel's "Bottle Farm," Farmersville, Ohio, 1941, printed 1953/54

Mahatma Gandhi Spinning, April 1946

Chaim and Renée Gross, New York City, 1942

Providence, R.I., 1966

Celia L. Marriott Apartment, Chicago, Illinois, Interior Perspective, 1983

Matchlock Petronel, 1570/80