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A work made of dye imbibition print.

Italian Still Life (B), New York, 1981, printed 1992

Irving Penn

A work made of gelatin silver print, from "the americans" (1955/56).

Political Rally, Chicago, 1956

Robert Frank

A work made of gelatin silver print.

Arnold Schoenberg, 1927

Man Ray (Emmanuel Radnitzky)

A work made of gelatin silver print.

Negro Alley Housing Whites, Washington, D.C., 1909

Lewis Wickes Hine

A work made of gelatin silver print.

A Child's Grave, Hale County, Alabama, 1936

Walker Evans

A work made of gelatin silver print.

Nude No. 99, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1967–68".

Nude, 1967

Jeffrey Silverthorne

A work made of gelatin silver print.

Salerno, Italy, 1933

Henri Cartier-Bresson

A work made of gelatin silver print.

Bijou at the Bar de la Lune, Montmartre, 1932

Brassaï, (Gyula Halász)

A work made of gelatin silver print.

Jean Arp, New York City, 1949

Arnold Newman

A work made of gelatin silver print, no. 8 from "portfolio three: yosemite valley" (1959).

Water and Foam, c. 1955, printed 1959

Ansel Adams

A work made of gelatin silver print.

Aspens, Dawn, Dolores River Canyon, Autumn, Colorado, 1937, printed c. 1980

Ansel Adams

A work made of gelatin silver print.

Buchenwald Camp Victims, 1945

Margaret Bourke-White

A work made of gelatin silver print.

Oliver Smith, Jane Bowles & Paul Bowles, New York, May 23, 1947, printed c. 1947

Irving Penn

A work made of gelatin silver print.

Foam Pattern, 1940s

Gordon C. Abbott

A work made of platinum-palladium print.

Man Lighting Girl's Cigarette (Jean Patchett), New York, 1949, printed May 1977

Irving Penn

A work made of gelatin silver print.

Birmingham, from the series "Time of Change", 1963

Bruce Davidson

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

Black-and-white photograph of an empty cobblestone alley, with small trash piles and an overturned bucket in the foreground.

Charles Lane, Between West and Washington Streets, September 20, 1938

Berenice Abbott

Black-and-white photograph of a light-haired woman with a bouffant hair style, taken from behind and showing the obscured reflection of her face in a mirror.

Untitled Film Still #56, 1980

Cindy Sherman

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