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A work made of albumen print.

Tuchlauben No. 1, Wohnhaus des Peter Ritter von Calvagni, 1860s

Anonymous

A work made of engraving in black on ivory laid paper.

Adoration of the Shepherds, 1620

Lucas Emil Vorsterman

A work made of wax crayons and colored crayon and graphite with scraping and incising, on ivory wove paper.

Untitled, 1943

Arshile Gorky

A work made of gelatin silver print.

Untitled (Aug. 15, 1943, stamped Never-Fade Photo Prints Oct 4-1943), August 15, 1943, printed October 4, 1943

Unknown Maker

A work made of engraving and etching in black on ivory laid paper.

Philip IV, King of Spain, plate 12 from Duces Burgundiae (Dukes of Burgundy), 1644

Jacob Louys

A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

January, from Twelve Months of Flowers, n.d.

Henry Fletcher

A work made of gelatin silver print.

Untitled (July 1927), July 1927

Unknown Maker

A work made of color aquatint on tan laid paper.

Christ (in Profile), plate nine from the Passion, 1936; published 1939

Georges Rouault

A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

October, from Twelve Months of Flowers, n.d.

Henry Fletcher

A work made of gelatin silver print.

Untitled, c. 1940/49

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of engraving on cream laid paper.

Forest Crossed by a Stream, from The Small Landscapes, c. 1638

Schelte Adamsz. Bolswert

A work made of dye imbibition print.

Placerville, Ca., 1979, 1979

Joe Maloney

A work made of gelatin silver print.

Untitled (Distortion #173), 1932/33

André Kertész

A work made of gelatin silver print.

Untitled, c. 1920/29

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1920/29

Unknown Maker

A work made of internal dye diffusion transfer print.

Untitled, c. 1960/69

Unknown Maker

A work made of dye imbibition print.

Westwood, N.J., 1977, 1977

Joe Maloney

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in silver ink, on parchment.

Saints Peter and Paul in a Historiated Initial "N" from a Choirbook, 1375/99

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