Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and sepia ink on buff paper.

Study of Arms and Legs of Christ Crucified, c. 1850

Eugène Delacroix

A perspective drawing of a three-story building façade with a central archway and steps.

Lenox Building, Chicago, Illinois, Perspective, 1872

Carter, Drake and Wight

A work made of gelatin silver print.

View from the top of the Municipal Building, Brooklyn Bridge, New Housing, c. 1961

Peter Fink

A work made of gelatin silver print.

United Nations Building from Beekman Place, c. 1961

Peter Fink

A work made of etching in black on cream wove paper.

Spring, 1917

Charles Peter Larsen

A work made of pen and brown ink, with brush and brown wash, heightened with touches of white opaque watercolor, over traces of black chalk, on cream laid paper, incised for transfer.

The Last Supper, late 1613 or early 1614

Peter Paul Rubens

A work made of gelatin silver print.

Peter, n.d.

Unknown Maker

A work made of book.

Peter Halley/Maintain Speed, 2000

COMA

A work made of silver dye-bleach print.

Gang Member, Sons of the Devil, 1978

Luis Medina

A work made of marble.

Hagar and Ishmael, 1856

Edward Sheffield Bartholomew

A work made of ink on tracing paper.

Palomino Island Resort Development, Isla Palominos, Puerto Rico, Design Drawings, c. 1960–1970

Henry Peter Glass

A work made of screenprint on ivory wove paper.

Flowers (Black and White), 1974

Andy Warhol

A work made of etching on heavy ivory laid paper.

Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune, from Views of Rome, 1773

Giovanni Battista Piranesi

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Arachne Showing Her Work, from Les Métamorphoses, published 1931

Pablo Picasso

A work made of etching and engraving on paper.

Philip III, King of Spain, from Principes Hollandiae, Zelandiae, et Frisiae, 1650

Cornelis Visscher

A work made of charcoal, with stumping on tan tracing paper.

Study for The Rock, 1945/48

Peter Blume

A work made of graphite, with pen and brush and orange ink, on ivory wove paper, tipped onto tannish-green wove paper.

Study for The Rock, 1943/48

Peter Blume

A work made of gouache on vellum.

Portrait of a Nobleman, c. 1680/1724

Peter Cross

A work made of graphite on tan wove paper, tipped onto gray wove paper.

Study for The Rock, 1943/48

Peter Blume

A work made of graphite on cream wove paper, tipped onto tan wove paper.

Study for The Rock, 1943/48

Peter Blume

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