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Williamsburgh Savings Bank: Plans, Elevation, and Section Studies

Williamsburgh Savings Bank: Plans, Elevation, and Section Studies, 1869/71

Peter Bonnett Wight

A work made of platinum print, pl. xvi from the album "life and landscape on the norfolk broads" (1886).

Quanting the Marsh Hay, 1886

Peter Henry Emerson

A work made of ink on linen.

Ravinia Refectory, 1904

Peter Joseph Weber

A work made of ink on paper.

Chicago Public Library Design Competition, Chicago, Illinois, Perspective, 1891

Peter Bonnett Wight

A work made of graphite and ink on linen.

Peter Fortune, Residence: First Floor Plan, 1909/10

Howard Van Doren Shaw

A work made of black chalk, heightened with white chalk, on tan laid paper.

Nude Youth in the Pose of the Spinario, 1610/16

Peter Paul Rubens

A work made of engraving in black on white wove paper.

St. Peter, plate 1 from The Twelve Apostles, 1545

Hans Sebald Beham

A work made of photogravure, plate xxxiii from the album "pictures of east anglian life" (1888).

A Slippery Path - Winter Scene (Norfolk), c. 1883/87, printed 1888

Peter Henry Emerson

A work made of photogravure, pl. iii from the album "pictures of east anglian life" (1888).

Leafless March (Suffolk), 1878/87, printed 1888

Peter Henry Emerson

A work made of charcoal on cream wove paper, tipped onto tan wove paper, squared in graphite and charcoal.

Study for The Rock, 1943/48

Peter Blume

A work made of platinum print, pl. vi from the album "life and landscape on the norfolk broads" (1886).

An Eel-Catcher's Home, 1886

Peter Henry Emerson

A work made of platinum print, pl. xiv from the album "life and landscape on the norfolk broads" (1886).

The First Frost, 1886

Peter Henry Emerson

A work made of etching with drypoint in black on ivory laid paper.

Peter and John Healing the Cripple at the Gate of the Temple, 1659

Rembrandt van Rijn

A work made of platinum print, pl. xxvi from the album "life and landscape on the norfolk broads" (1886).

Towing the Reed, 1886

Peter Henry Emerson

A work made of platinum print, pl. xxv from the album "life and landscape on the norfolk broads" (1886).

A Reed-Cutter at Work, 1886

Peter Henry Emerson

A work made of red chalk and brush and red chalk wash, over traces of black chalk, on ivory laid paper.

Adoration of the Magi, 17th century

School of Peter Paul Rubens

A work made of oil on linen.

Day by day, good day (Tag um Tag guter Tag) Nr. 887 (Night), 1989

Peter Dreher

A work made of photogravure, plate xlv from the album "the compleat angler or the contemplative man's recreation, volume ii" (1888).

Tissington Spires, Dove Dale, 1880s

Peter Henry Emerson

A work made of red chalk, over stylus underdrawing, on cream laid paper, laid down on cream laid paper, laid down on ivory wove paper.

Christ Summoning Saint Peter to Walk on the Water, after 1627

Giovanni Lanfranco

A work made of etching on cream laid paper.

Peter Josef-Victor de Benseval, n.d.

Louis de Carmontelle

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