Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Two paintings on one panel. The upper features a figure in blue clothes with gold trim holding a lance. Demons on horses climb a mountain. The lower image features a figure wearing blue clothes with gold trim standing next to knights in front of a castle. Two men, one in blue and in red, stand in opposition.

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, 1480/85

Martin de Soria

A work made of oil on paper, mounted on panel.

Christ Washing the Disciples' Feet, c. 1630

Jan Lievens

A work made of oil on panel.

Fragment from Christ Carrying the Cross: Mourning Virgin, c. 1500

Jean Hey, (the Master of Moulins)

A work made of oil on canvas.

The Maid, c. 1875

François Bonvin

A work made of oil on cradled panel.

Mountain Road with Travelers, c. 1615

Joos de Momper, II

A work made of oil on canvas.

African Chief, 1870

Mariano Fortuny y Marsal

A work made of oil on canvas.

Wind-Swept Sands, 1894

William Merritt Chase

A work made of oil and graphite on canvas.

Business, 1921

Charles Demuth

A work made of oil on canvas.

The Festival, 1875

Sir John Edward Poynter

A work made of oil on board.

Captain Joseph Medill Patterson, 1962–64

Ivan Albright

A work made of oil on cardboard.

Woman's Head, c. 1890

Albert Besnard

A work made of oil on canvas.

Seventeenth-Century Interior, 1877

Charles Gifford Dyer

A work made of oil and magna on canvas.

Artist's Studio "Foot Medication", 1974

Roy Lichtenstein

A work made of oil on canvas.

Peach Blossoms, 1878

Winslow Homer

A work made of oil on panel.

The Resurrection, c. 1635

Bartholomeus Breenbergh

A work made of oil on canvas.

Woman from Brittany, 1886

Pascal-Adolphe-Jean Dagnan-Bouveret

A work made of tempera on panel.

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of oil on panel.

The Abduction of Europa, 1654–56

David Teniers the Younger

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, c. 1455

Giovanni di Paolo

A work made of oil on canvas.

Mount Equinox, Winter, 1921

Rockwell Kent

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