Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of acrylic and oil on canvas.

It's a New Age, 1992

Sue Williams

A work made of oil on canvas.

Anna Maria Dashwood, later Marchioness of Ely, c. 1805

Sir Thomas Lawrence

A work made of oil on canvas.

Theodosius Repulsed from the Church by Saint Ambrose, c. 1705

Alessandro Magnasco

A work made of oil on canvas.

Calla Lilies, 1922–25

Arthur B. Carles

A work made of oil on panel.

Virgin and Child, c. 1485

Hans Memling

A work made of oil on panel.

Abstraction: Background with Blue Cloudy Sky, January 4, 1930

Pablo Picasso

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of oil on canvas.

The Garden of Palazzo Contarini dal Zaffo, Late 1770s

Francesco Guardi

A work made of oil on canvas.

The Grand Canal, Venice, c. 1760

Francesco Guardi

Semiabstracted painting, narrow road in the foreground disappears behind misty fog, pink hilltop in the distant background.

Road – Mesa with Mist, 1961

Georgia O'Keeffe

A work made of oil on canvas.

The Keeper of the Flock, 1871–74

Jean François Millet

Abstract painting of bright rectangles in various sizes, in shades of light and dark orange as well as yellow, blue, lime green, and pink. A small white, amorphous shape sits at top center.

The Golden Wall, 1961

Hans Hofmann

A work made of oil on canvas.

The Coffee House, Winter 1905–6

Alson Skinner Clark

A work made of oil on canvas.

The Puff of Smoke, 1912

Gifford Beal

An oil painting of a large, male African American figure who looks left into the distance. He holds his hand out towards the dark blue sky, and he appears to break free from a pile of rubble in the background.

This, My Brother, 1942

Charles White

A work made of oil on canvas.

The Coast of Labrador, 1866

William Bradford

A work made of oil on canvas.

Crossing the Ford, 1848

George Inness

A work made of oil on panel.

Snow at Louveciennes, c. 1870

Camille Pissarro

A work made of oil on canvas.

Théodore Géricault on His Deathbed, 1824

Charles Emile Champmartin

This collage creates the illusion of both a woman's face and a home interior. Blond hair doubles as curtains in an entryway, while her eyes become framed artwork on the wall. The wall, or the top half of the face, is bright red, and doubles as a face mask.

Mae West's Face which May be Used as a Surrealist Apartment, 1934–35

Salvador Dalí

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