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Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress. A white tassel hangs down above the child from a nearby curtain.

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805

Joshua Johnson

A work made of oil on paper, mounted on panel.

Christ Washing the Disciples' Feet, c. 1630

Jan Lievens

A work made of oil on panel.

Henry VIII, Elizabeth I, and Edward VI, 1597

English

A work made of oil on canvas.

Sunlight, c. 1913

Richard E. Miller

A work made of oil on millboard.

The Sisters, 1882

George Inness

A work made of oil on panel.

Fragment from Christ Carrying the Cross: Mourning Virgin, c. 1500

Jean Hey, (the Master of Moulins)

A work made of pastel, over etching, aquatint, drypoint, and crayon électrique on tan wove paper.

Mary Cassatt at the Louvre: The Paintings Gallery, 1885

Hilaire Germain Edgar Degas

A work made of oil on canvas.

The Maid, c. 1875

François Bonvin

A work made of oil on cradled panel.

Mountain Road with Travelers, c. 1610/25

Joos de Momper, II

A work made of oil and graphite on canvas.

Business, 1921

Charles Demuth

A work made of oil on canvas.

The Festival, 1875

Sir John Edward Poynter

A work made of oil on canvas.

African Chief, 1870

Mariano Fortuny y Marsal

A work made of oil on canvas.

Wind-Swept Sands, 1894

William Merritt Chase

A work made of tempera on panel.

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of oil on board.

Captain Joseph Medill Patterson, 1962–64

Ivan Albright

A work made of oil on canvas.

Peach Blossoms, 1878

Winslow Homer

A work made of oil on cardboard.

Woman's Head, c. 1890

Albert Besnard

A work made of oil on panel.

The Resurrection, c. 1635

Bartholomeus Breenbergh

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, c. 1455

Giovanni di Paolo

A work made of oil on canvas.

Seventeenth-Century Interior, 1877

Charles Gifford Dyer

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