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A work made of oil on panel.

Friar Pedro Binds El Maragato with a Rope, c. 1806

Francisco José de Goya y Lucientes

A work made of oil on board.

The Lovers, 1855

William Powell Frith

A work made of oil on canvas.

After Rain, Chicago, 1911

Frank Charles Peyraud

A work made of oil on canvas.

Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End, 1942–43, 1948–55, 1957–63

Ivan Albright

This collage creates the illusion of both a woman's face and a home interior. Blond hair doubles as curtains in an entryway, while her eyes become framed artwork on the wall. The wall, or the top half of the face, is bright red, and doubles as a face mask.

Mae West's Face which May be Used as a Surrealist Apartment, 1934–35

Salvador Dalí

A work made of oil on panel.

The Adoration of the Eucharist, c. 1626

Peter Paul Rubens

A work made of oil on canvas.

Antiochus Yearning for Stratonice, c. 1740

Stefano Pozzi

A work made of oil on panel.

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Portrait of Mary Block, 1955–57

Ivan Albright

A work made of ceramic and pigment.

Vessel with Painted Landscape, 180 BCE–500 CE

Nasca

Two rectangular canvases, one in yellow the other in grey, joined horizontally.

Rodeo, 1971

Brice Marden

A work made of oil on canvas.

The Eventuality of Destiny, 1927

Giorgio de Chirico

A work made of oil on panel transferred to canvas.

King David Receiving the Cistern Water of Bethlehem, 1515–20

Master of the Antwerp Adoration Group

A work made of oil on canvas.

Lady at Her Toilette, Late 1740s

Pietro Longhi

A work made of oil on canvas.

Buoy, 1941

Peter Blume

A work made of oil on panel.

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Portrait of Charles Deering, 1917

John Singer Sargent

Semiabstracted landscape painting. Light-colored hills with spots of green and brown fill the foreground, while the background presents taller green mountains and blue sky.

Abiquiu Sand Hills and Mesa, 1945

Georgia O'Keeffe

Vibrantly colored abstract painting suggesting a landscape and trees, with irregular outlined sections of green, yellow, orange, pink, and bright red.

Landscape (recto), 1911–12

Marguerite Zorach

A work made of oil on canvas.

Saint Jerome in the Wilderness, 1585/90

Workshop of Paolo Veronese

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