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A work made of red chalk on ivory laid paper, laid down on card.

Three Nude Women, n.d.

Workshop of Raphael

A work made of pen and black ink, with brush and black wash and watercolor, over traces of graphite, on tan wove paper, laid down on woodpulp board.

Nude Among Ruins, 1937

Paul Delvaux

A work made of graphite on cream wove paper.

Reclining Female Nude, n.d.

Morris Kantor

A work made of oil on canvas.

Odalisque, 1874

Jules Joseph Lefebvre

A work made of black fiber-tipped pen (faded to brown) on tan wove paper.

Three Nude Women, 1950

Milton Avery

A work made of charcoal on cream wove paper.

Sprawling Male Nude, 1930

Hyman Bloom

A work made of gelatin silver print.

Nude No. 105, New York, 1949/50, printed 1949/50

Irving Penn

A work made of graphite, with stumping, on cream laid paper.

Two Nudes, Standing, fall 1906

Pablo Picasso

A work made of bronze, dark brown patina.

Aphrodite, c. 1570

Workshop of Girolamo Campagna

A work made of marble.

Samson and the Lion, 1604–7

Cristoforo Stati

A work made of transfer lithograph in black on ivory laid paper.

The Little Nude Model, Reading, 1889/90

James McNeill Whistler

A work made of etching on off-white wove paper.

Nude Sketches, 1917

John Sloan

A work made of gelatin silver print.

Nude Bent Forward, Paris, c. 1930

Lee Miller

A work made of pen and blue ink on white wove paper.

Three Sketches of a Male Nude, c. 1955

Walter Stein

A work made of engraving in black on ivory laid paper.

Nude Child Seated, 1520/30

Jean de Gourmont

A work made of soft ground etching with foul biting in black on ivory wove paper.

Louise Nude on a Sofa, 1895

Suzanne Valadon

A work made of charcoal, with extensive stumping and erasing, on cream wove paper, mounted on canvas and stretched around a strainer.

Large Nude, 1953/54

Nicolas de Staël

A work made of gouache and watercolor, with acrylic over graphite, on cream wove paper.

Nude, n.d.

Francis Chapin

A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

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