Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Two Hopi Clowns

Two Hopi Clowns, n.d.

Lawrence Outah

A work made of opaque watercolor, over graphite, on cream wove paper.

Katsina in Dance, n.d.

D. Humetewa

Buffalo Dancer

Buffalo Dancer, 1948

Theodore Suina

Horse Riding Scene

Horse Riding Scene, n.d.

Harrison Begay

Two Horses Galloping

Two Horses Galloping, n.d.

Ascensión Trujillo

Three Horses

Three Horses, 1948

Jimmy Jim

A work made of opaque watercolor, over traces of graphite, on black wove paper-faced laminated board.

Deer in the Moonlight, 1955

Beatien Yazz

Dine Woman Tending Sheep

Dine Woman Tending Sheep, n.d.

Harrison Begay

Southern Plains Dancer

Southern Plains Dancer, n.d.

Oliver Phillips

A work made of opaque watercolor, over graphite, on cream wove, laminated paper board.

Two Dine Women on Horseback, n.d.

Harrison Begay

Southern Plains Dancer

Southern Plains Dancer, n.d

Carl Sweezy

Southern Plains Dancer

Southern Plains Dancer, n.d.

Carl Sweezy

A work made of cotton, plain weave; stenciled.

Furnishing Fabric, c. 1960

Sheouak Petaulassie

A work.

Fragment, 1000-1476

Chimú

A work made of gelatin silver print.

Untitled (Route 22 North of Weebatuck, NY), 1935

A work made of pencil on tracing paper.

Art Institute of Chicago Competition, North Elevation, 1934

Studio of Paul Philippe Cret

A work made of felt tip pen & marker on yellow tracing paper.

Chicago Board Options Exchange, North Facade Study, 1981

Bruce John Graham

A work made of pen and brown ink, with brush and brown wash, over graphite (recto), and graphite (verso), on ivory wove paper.

North American Bear Hunting (recto); Shell (verso), n.d.

Samuel Howett

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

North Fork Cañon, Sierra Blanca Creek, Arizona, 1873

Timothy O'Sullivan

A work made of graphite and colored pencil on tracing paper.

Student Project for Apartment Building, North Elevation, c. 1949–50

Daniel Brenner

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