Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of box construction.

Untitled (Harlequin), 1935/38

Joseph Cornell

A work made of oil and chalk on canvas.

Figure, 1927

Pablo Picasso

Multicolored painting of geometric shapes intersecting and overlapping in a circular flow.

Festival in Montmartre, 1913

Gino Severini

Large mound of rocks intersected radially by long rectangular mirrors.

Chalk-Mirror Displacement, 1969

Robert Smithson

A rather stark, clean-lined painting shows a fireplace mantle topped with a clock against a bare wall with wood paneling. From the back wall of the fireplace, a black locomotive emerges, belching smoke and riding an unseen track in the the air.

La durée poignardée (Time Transfixed), 1938

René Magritte

A work made of oil on canvas.

Ballet Dancer, late 1920s

André Derain

A work made of oil on canvas, three joined panels.

Heart of Darkness, 1982

Sean Scully

A Cold Day in Hell

A Cold Day in Hell, 1982

Suzanne Caporael

A work made of oil on linen.

Attendant 2, 1996/99

Brice Marden

A work made of steel and maple (later laminated surface).

Desk, 1937–39

Frank Lloyd Wright

A work made of oil on cardboard.

Nude with Cats, 1901

Pablo Picasso

A work made of bronze.

Woman Leaning on Her Hands, 1905, cast c. 1930

Henri Matisse

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.

The Bewitched Mill, 1913

Franz Marc

A work made of oil on canvas.

Dahlia and Daisies in a Vase, c. 1904

Henri Rousseau

A work made of plastic filaments and metal hanging hardware.

Pénétrable de Chicago, 1971

Jesús Rafael Soto

A work made of wood, jute, salt, and steel.

Salt Seller, 1988

Mirosław Bałka

A work made of polychrome stucco plaster.

Shepherd Boy, 1929

Olga Chassaing

A work made of oil on canvas.

Heart of the Matter, 1963

Otis Kaye

A work made of acrylic on fiberglass and plywood.

Green Panel, 1989/99

Ellsworth Kelly

An abstract painting in greens and blues shows many small, card- or brick-like squares and rectangles merging at bottom and encroaching upon the center from the sides, like a wall trying to close itself, or a wall opening. Beyond these shapes is the suggestion of a hazy green sky with clouds and perhaps more shapes.

Towards the Unknown, 1950

Gunther Gerzso

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