Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal on hardboard.

Self-Portrait (No. 7), 1981

Ivan Albright

A work made of oil on board in carved and freestanding wooden frame with gesso, carved wood objects, and hair.

The Certitude of the Never Seen, 1933

Yves Tanguy

A work made of oil on hardboard.

La Ciudad Perdida (The Lost City), 1948

Gunther Gerzso

A work made of bronze, edition number two of four.

Flag, 1960

Jasper Johns

A work made of bronze.

Couple IV, 1959-60

Matta

A work made of oil on hardboard.

Self-Portrait (No. 5), 1981

Ivan Albright

Cubist painting of woman, bright yellow, green, purple colors.

The Red Armchair, December 16, 1931

Pablo Picasso

A work made of color video, sound (monitor), wood chair, headphones, spotlight, and pedestal.

Reasons for Knocking at an Empty House, 1982

Bill Viola

A work made of oil on linen.

Hot Fax, 1990

Ed Paschke

A work made of cloth.

Tenth Cloth Octagonal, 1967

Richard Tuttle

A work made of oak.

Rough Chant III – Homage to Luis Martín Santos (Abesti gogorra III – Homenaje a Luis Martín Santos), 1962/64

Eduardo Chillida

A work made of oil on canvas.

Flowers (Blumen), 1993

Gerhard Richter

A work made of oil on canvas.

Little Landscape at the Seaside (Kleine Landschaft am Meer), 1969

Gerhard Richter

Painting of four football players in blue and white, with green shadows, tackling one another on a brown ground. A cursor arrow is included in the composition.

81–14–87, 1964

Ellen Lanyon

A work made of oil on canvas.

Wound Interrogation, 1948

Matta

A work made of oil on canvas.

Ice (3), 1989

Gerhard Richter

A work made of bronze.

The Reader, 1919

Jacques Lipchitz

A work made of oil on canvas.

Hermine David, 1907

Jules Pascin

A work made of oil on hardboard.

Estela, 1947

Gunther Gerzso

Sharp white lines inscribe a heavy black slab, implying a kind of screenwork person: flat, sharp, a little silly. A soft cloth floats over the figure's "abdomen." On it, two white owls contrast sharply with their soft, luminous featheriness.

Human Figure with Two Birds, 1925/29

Max Ernst

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