Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal on hardboard.

Self-Portrait (No. 7), 1981

Ivan Albright

A work made of color video, sound (monitor), wood chair, headphones, spotlight, and pedestal.

Reasons for Knocking at an Empty House, 1982

Bill Viola

A work made of sixty glazed ceramic plates with gold trim.

Museotypes, 1983

John Knight

A work made of green glass jar with molded glass stopper, painted wood figure, dice, plastic poker chips, newspaper, torn pieced of playing cards, string, plastic ladder, metal bells, and a penny.

The Gambler, c. 1952

Richard Lindner

A work made of bronze.

Couple IV, 1959-60

Matta

A work made of bronze, edition number two of four.

Flag, 1960

Jasper Johns

A work made of oil on hardboard.

Self-Portrait (No. 5), 1981

Ivan Albright

Painting resembles a blurry, blue photograph of woman wearing a shiny dress.

Woman Descending the Staircase (Frau die Treppe herabgehend), 1965

Gerhard Richter

A work made of oak.

Rough Chant III – Homage to Luis Martín Santos (Abesti gogorra III – Homenaje a Luis Martín Santos), 1964

Eduardo Chillida

A work made of oil on canvas.

Flowers (Blumen), 1993

Gerhard Richter

A work made of oil on canvas.

Little Landscape at the Seaside (Kleine Landschaft am Meer), 1969

Gerhard Richter

Painting of four football players in blue and white, with green shadows, tackling one another on a brown ground. A cursor arrow is included in the composition.

81–14–87, 1964

Ellen Lanyon

A work made of oil on linen.

Hot Fax, 1990

Ed Paschke

A work made of oil on canvas.

Madame Paul Escudier (Louise Lefevre), 1882

John Singer Sargent

A work made of cloth.

Tenth Cloth Octagonal, 1967

Richard Tuttle

A work made of oil on canvas.

Wound Interrogation, 1948

Matta

A work made of oil on canvas.

Ice (3), 1989

Gerhard Richter

A work made of bronze.

The Serf, 1900–03, cast c. 1908

Henri Matisse

A work made of oil on canvas.

Hermine David, 1907

Jules Pascin

Sharp white lines inscribe a heavy black slab, implying a kind of screenwork person: flat, sharp, a little silly. A soft cloth floats over the figure's "abdomen." On it, two white owls contrast sharply with their soft, luminous featheriness.

Human Figure with Two Birds, 1925/29

Max Ernst

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