Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of felt with metal grommets.

Untitled, 1976

Robert Morris

Painting of an arid landscape in blue, beige, and gray. At left, a dark figure-like form sits atop a beige archway, two gray kidney shapes below it.

Untitled (Dream of Venus) formerly Visions of Eternity, 1939

Salvador Dalí

A work made of oil on linen.

Vincent and Tony, 1969

Alex Katz

A work made of oil on glass.

Landscape, 1957

Max Ernst

A work made of oil on canvas.

The Huckster Cart, 1913

Robert Spencer

A work made of oil on composition board.

Still Life No. 15, c. 1917

Marsden Hartley

A work made of steel and aluminum.

Steel-Aluminum Plain, 1969

Carl André

A work made of oil on canvas.

Christa and Wolfi, 1964

Gerhard Richter

Expressive painting with an almost blurry effect of three women dressed in black and white examining and cutting large pieces of fabric.

Shop Girls, c. 1912

Elizabeth Sparhawk-Jones

A work made of oil and graphite on hardboard.

Self-Portrait (No. 8), October 5–12, 1982

Ivan Albright

Abstract painting in bright yellow, green, and orange. Undulating, visible brushstrokes give the surface a bright yet dusty and layered effect.

Untitled, 1965

Beauford Delaney

A work made of oil on composition board.

Portrait of a Sea Dove—Dead, 1935

Marsden Hartley

A work made of oil on canvas.

Diego Seated in the Studio, 1950

Alberto Giacometti

A work made of oil on canvas.

Isaku Yanaihara, 1956

Alberto Giacometti

A work made of oil on canvas.

Among the Redwoods, 1920

Wallace L. DeWolf

A recumbent, full-figured nude rendered in pink and gray geometric shapes, her hands above her head, on a gray and blue ground, a brown tree with sparse needles behind her.

Nude under a Pine Tree, January 20, 1959

Pablo Picasso

A work made of ebony.

Tumblers, 1942

Chaim Gross

A work made of oil and silver paint on wood.

Lantern, c. 1922

Arthur Dove

A work made of oil on canvas.

The Seine at Triel, 1931

Albert Marquet

Abstract painting with beige background, lines creating sharp angles, minimal color.

Excavation, 1950

Willem de Kooning

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