Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A rectangular grille with ornamental details including organic and geometric forms, an open arch at bottom, and an elliptical window in the center.

Teller's wicket from the National Farmers Bank, Owatonna, Minnesota, 1906/08

Louis H. Sullivan

A work made of gelatin silver print.

John Watts Statue: From Trinity Churchyard, Looking Toward One Wall Street, Manhattan, February 1, 1938

Berenice Abbott

A work made of etching, burnished lavis, drypoint and burin on ivory wove paper with gilt edges.

One Can't Look, plate 26 from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

Two rectangular grille panels with matching patterns made up of circles arranged into rows and columns with additional linear details.

Chicago Stock Exchange Building: Two Elevator Enclosure Grilles, with Base Plates and Side Support Bars, 1893/94

Adler & Sullivan, Architects

A work made of graphite on parchment.

Head of Bearded Man Looking Upwards, n.d.

Jonathan Richardson, the elder

A work made of brush and gray wash with black crayon, on ivory laid paper (pieced together), laid down on card.

Figures Looking at Outdoor Spectacle, 1781/1823

Paul Gregoire

A work made of color woodblock print; chuban yoko-e.

Lovers with Young Attendant Looking on, from an untitled series of erotic prints, c. 1766

Suzuki Harunobu

A work made of red chalk on cream laid paper, laid down on ivory laid paper.

Distress: Head of a Woman Looking Upwards, n.d.

Jean Baptiste Greuze

A work made of graphite on paper with 117x 96mm insert of graphite on paper in upper left corner.

Michigan Avenue Looking North, 1920

Gerald Kenneth Geerlings

A work made of gelatin silver print.

Looking Out of a Car, Chicago, 1996

Thomas Frederick Arndt

A work made of gelatin silver print.

What Am I Looking At, Today is My Daughter's Birthday, Tokyo-Hokkaido, April 1994

Robert Frank

A work made of watercolor over graphite, with scraping, on cream wove paper.

An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port Meadow and Godstow, 1842

William Turner

A work made of black chalk, with stumping, heightened with touches of white chalk, on ivory laid paper, prepared with a blue ground, laid down on ivory laid paper.

Study of the Head and Hands of an Old Woman Looking Up, c. 1775

Nicolas Bernard Lépicié

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Untitled (Central Park, Woman Sunbathing, Man Looking), c. 1975

Garry Winogrand

A work made of color woodblock print with metallic pigments; shikishiban, surimono.

A Poet Looking out of his Lakeside Hut, c. 1820s

Keisai Eisen

A work made of pen and black ink, over traces of graphite, on cream wove card.

Now Look Out for Another French Revolution, 1904

John Tinney McCutcheon

A work made of black chalk, heightened with white chalk, on brown laid paper.

Head of the Virgin Looking Upwards, c. 1615

Giacomo Cavedone

A work made of gelatin silver print.

People Gathered in Windows Looking Down on Parade, July 6 Parade, Shanghai, 1949

Henri Cartier-Bresson

A series of drawings on one page indicating the process for sketching organic leaf forms, featuring fours rows of examples in varying degrees of complexity.

System of Architectural Ornament, Plate 2, Manipulation of the Organic, 1922

Louis H. Sullivan

A work made of black marker on paper.

Chicago Travel Sketches, "Looking South", The House of Blues, 1996–1997

Eva L. Maddox

<<<4567 >>>