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A work made of black chalk, heightened with traces of white chalk (recto), and black chalk (verso) on tan laid paper.

Female Head Study Looking Up to Right (recto); Study of Two Figures Supporting an Object (verso), 1630/70

School of Guido Reni

A work made of gelatin silver print.

Untitled (Bust Portrait of a Boy Looking Up), 1932

Johan Hagemeyer

A work made of gelatin silver print.

Looking through the Pyramid of the Louvre, Paris, 1988

Marc Riboud

A work made of gelatin silver print, from loose-leaf album of aerial photographs from the photographic section, air service, american expeditionary forces, world war i.

Untitled, Burg Maus on Rhine, looking S.E., March 11, 1919

Edward Steichen

A work made of albumen print, stereo.

Looking Down the Kauterskill, from the New Laurel House, No. 4202 from the series "The Glens of the Catskills", 1869/1900

Anthony and Company

A work made of albumen print.

Cañon of Kanab Wash, Colorado River, Looking South, 1872

William H. Bell

A work made of albumen print.

Grand Cañon, Colorado River, Near Paria Creek, Looking West, 1872

William H. Bell

A work made of albumen print.

Looking South into the Grand Cañon, Colorado River, Sheavwitz Crossing, 1872

William H. Bell

A work made of albumen print.

Grand Cañon, Colorado River, Near Paria Creek, Looking East, 1872

William H. Bell

A work made of color aquatint on paper.

A View Looking Up the River Thames to Richmond Bridge, n.d.

Francis Jukes

A work made of black crayon on ivory tracing paper.

Untitled (Reclining Female Nude with Bent Knees Looking Away from Viewer), n.d.

Sylvia Shaw Judson

A work made of albumen print.

Grand Cañon of the Colorado River, Mouth of Kanab Wash, Looking West, 1872

William H. Bell

A work made of albumen print.

Grand Cañon of the Colorado River, Mouth of Kanab Wash, Looking West, 1872

William H. Bell

A work made of albumen print, stereo.

Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of book with 2 drawings in pen and black ink, one with white opaque watercolor and the other with red opaque watercolor, on gray laid paper, tipped into book.

Young Cherry Trees Secured Against Hare, 1946

Arshile Gorky

A work made of pen and brown ink, with brush and gray wash, heightened with white gouache (recto), and black chalk, heightened with white chalk (verso), on tan laid paper.

Staircase and Fountain (recto); Seated Male Nude in Profile to Left, Looking Upward (verso), n.d.

Unknown artist

A work made of color woodblock print; shikishiban, surimono.

Geisha looking up at a cuckoo, from the series "Five Annual Festivals for the Katsushika Circle (Katsushika gosekku)", 1822

Katsushika Taito II

A work made of color woodblock print; hosoban, mizu-e.

The Poet Ise Looking Up at a Flock of Returning Geese, from an untitled series of eight views, early 1760s

Kitao Shigemasa

A work made of albumen print, stereo.

Panorama from Florida House, Looking North West, No. 9646'47 from the series "Views in St. Augustine, Florida", 1869/1901

Anthony and Company

A work made of gelatin silver print.

Susanne Kriemann Reading 5.5423: To Perceive a Complex Means to Perceive That Its Constituents Are Related to One Another in Such and Such Way. This No Doubt Also Explains Why There Are Two Possible Ways of Seeing the Figure as a Cube; and All Similar Phenomena. For We Really See Two Different Facts. (If I Look in the First Place at the Corners Marked A and Only Glance at the B's, Then the A's Appear to be in Front, and Vice Versa), 2015, printed 2019

Arthur Ou

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