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A work made of graphite on yellow tracing paper.

University of Illinois, Chicago Circle Campus, Early Campus Planning Perspective, Looking East from the Fine Arts Building Court, 1961–1970

Skidmore, Owings & Merrill

A work made of albumen print, stereo.

Looking out from the Navy Yard, No. 1053 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Looking out from Black Hawk's Cave, No. 1121 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Views of the Cliff House - looking out onto the Lake, No. 65 from the series "Devil's Lake and Vicinity", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Looking down stream, through the Jaws, No. 1111 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Fountain Cave near St. Paul, looking in, , No. 1507 from the series "Among the Bluff Scenery of the Upper Mississippi", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Minne-ha-ha Falls, looking across, No. 1501 from the series "Among the Bluff Scenery of the Upper Mississippi", 1870/1908

Henry Hamilton Bennett

A work made of etching on ivory wove paper.

Diversey St., Deering Works, Looking North, n.d.

Bror Julius Olsson Nordfeldt

A work made of albumen print, stereo.

Cold Water Canon-looking down from near the Jug, No. 433 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of pen and brown ink, over graphite (recto), and graphite (verso), on ivory laid paper.

Two Figures along River near Bridges and Houses (recto); Two Figures on Bridge Looking at Man in Punt (verso), n.d.

Unknown

A work made of albumen print, stereo.

Looking out of cave in Lone Rock, No. 1125 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of albumen print, stereo.

Fountain Cave, near St. Paul, looking out, No. 1508 from the series "Among the Bluff Scenery of the Upper Mississippi", 1870/1908

Henry Hamilton Bennett

A work made of ink on tracing paper.

Plate 78 (2 Drawings) from The Plan of Chicago, 1909: Suggested Location and Arrangement of the Railway Passenger Stations West of the River. Subway Scheme: 1. Plan of Street Level. 2. Plan Below Street Level, 1909

Daniel Hudson Burnham

A work made of gray and white gouache, with touches of brown gouache, on cream wood-pulp laminate board.

Lycius, Look Back, and Be Some Pity Shown, 1885

Will Hicock Low

A work made of color woodblock print; hashira-e.

Young Woman Looking out from a Parlor, c. 1776

Isoda Koryusai

A work made of chromogenic print.

Personal Commissions: “She Said Yeah. SWF, sharpest knife in the drawer, and best looking too. You definitely want to get to know me. Seeking man who can keep up w/ me. No judgments. I’m pretty unconventional. Hopefully you like it that way.”, 2008

Leigh Ledare

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6, 1896

Odilon Redon

A work made of four etchings on ivory laid paper.

Old Man Looking Downwards, Old Man Seen from the Front, Profile of an Old Man with a Beard, Old Man in a Striped Robe, 1775

Giovanni Domenico Tiepolo

A work made of albumen print, stereo.

Looking out of Boat Cave, a flash light picture, No. 1132 from the series "In and About the Dells of the Wisconsin River", 1870/1908

Henry Hamilton Bennett

A work made of lithograph in black on white wove paper.

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis, 1845

Honoré-Victorin Daumier

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