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A work made of woodcut in black, hand colored with brush, stencil and watercolor on ivory laid paper mounted on the inside cover of a coffer, constructed of wood, iron, leather, horsehair and linen.

The Nativity, in Coffer, c. 1490

Master of the Unicorn Hunt

A work made of charcoal, with stumping, on tan wove paper.

Central Figure, study for The Life of Saint Louis, King of France, c. 1878

Alexandre Cabanel

A work made of engraving with etching in black on ivory laid paper.

Charles I, King of England, with James, 1st Duke of Hamilton, 1782

Robert Strange

A work made of heliogravure, with sugar-lift aquatint, scraping, burnishing, and roulette on paper.

We Believe Ourselves to be Kings, plate seven from Miserere, 1923

Georges Rouault

A work made of gouache, with watercolor, gold leaf, gold metallic paint, and touches of graphite, selectively varnished, on off-white laid paper.

The King and the Doctors, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of engraving on ivory laid paper.

Portrait of Philippe V, King of Spain, 1702

Pierre-Imbert Drevet

A work made of watercolor, with touches of pen and black ink, and traces of black crayon, on ivory watercolor paper.

King Charles IV of Spain, n.d.

Eugenio Lucas y Padilla

A work made of glass, vitreous paint, silver stain, and lead.

Saints and Worshippers in Adoration, 1510-15

A work made of pen and brown ink and brush and brown wash, with graphite, on ivory laid paper, edge-mounted on buff laid paper.

King David Kneeling in Penitence, n.d.

Louis Joseph le Lorrain

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.55–0.65 mm weft: count: varies from 16 to 28 wefts per cm; wool; s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk; pairs of s-ply of two z-twisted elements; diameters: 0.4–1.0 mm.

Antony Presents Artavasdes, King of the Armenians, to Cleopatra from The Story of Antony and Cleopatra, c. 1640

Evrard Leyniers

A work made of etching on paper.

African Dance, from Les Réincarnations du Père Ubu, 1928, published 1932

Georges Rouault

A work made of color aquatint on tan laid paper.

Christ at the Village Gates, frontispiece from The Passion, 1935; published 1939

Georges Rouault

A work made of etching on ivory laid paper.

King Oscar II (Second plate), 1898

Anders Zorn

A work made of oil on panel.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child, c. 1495

French

A work made of oil on panel.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper, c. 1495

French

A work made of color aquatint on tan laid paper.

Christ and a Holy Woman, plate four from the Passion, 1936; published 1939

Georges Rouault

A work made of oil on panel.

Fragment from Christ Carrying the Cross: Mourning Virgin, c. 1500

Jean Hey, (the Master of Moulins)

A work made of engraving in black on cream laid paper.

King Arthur, plate eight from The Nine Worthies, 1594

Nicolaes de Bruyn

A work made of manuscript with 182 folios, 11 miniatures, 15 historiated initials and other decorations in tempera, gold leaf and colored inks, and littera textualis inscriptions in latin and french, in light black ink, ruled in red, on parchment, bound in leather stamped with various designs.

Book of Hours for the Use of Limoges, 1480/1500 (late 15th century binding)

Master of Catherine Gentille

A work made of painted enamel and gold on copper.

Triptych with The Crucifixion, The Flagellation, and The Entombment, c. 1500

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