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A work made of oil on canvas.

Near Newport, 1869

John Frederick Kensett

A work made of alabaster.

Saint John the Baptist, c. 1550

Spanish

A work made of metalpoint on prepared bluish-white wove paper.

Body of a Woman, 1928

John Bradley Storrs

A work made of oil on canvas.

Study of Two Bedouins, 1905–6

John Singer Sargent

A work made of watercolor over graphite on white wove paper.

Sheep at the Gate, n.d.

John Edward Costigan

A work made of watercolor with charcoal and charcoal wash, on moderately thick, moderately textured, off-white wove paper (lower and right edges trimmed), in original frame.

Tree and Sea, Maine, 1919

John Marin

A work made of watercolor with wiping and charcoal on thick (estimated), slightly textured, ivory wove paper, hinged to paperboard, faced with ivory wove (estimated) paper, gilt with gold leaf (top and right edges trimmed), in original frame.

The Green Sea – Movement – Stonington, Maine, 1921

John Marin

A work made of ostrich egg and gilded silver.

Ostrich Cup, 1590–91

John Spilman

A work made of lithograph on white nacre paper.

Sleepwalk Forest, 1963

John Hultberg

A work made of mahogany with chestnut and white pine.

High Chest of Drawers, 1755–85

John Goddard

A work made of watercolor with scraping and wax resist over graphite on ivory wove paper.

Woodsheds, Tyrol, 1914

John Singer Sargent

A work made of brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card.

The Valley of the Eisak Near Brixen in the Tyrol, 1783/84

John Robert Cozens

A work made of engraving in black on ivory laid paper.

Saint John the Baptist, c. 1505

Giulio Campagnola

A work made of oil on canvas.

William Brown, 1804–8

John Trumbull

A work made of pastel on brown paper laid down on canvas, linen, or board.

Henry Hill, c. 1765–70

John Singleton Copley

A work made of oil on canvas.

Light and Shadow, c. 1924

John Warner Norton

A work made of watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed).

Blue Sea (recto); Sheet of Sketches (verso), 1923

John Marin

Cup and Saucer

Cup and Saucer, 19th century

A work made of black and colored crayons, with charcoal, on tan tracing paper, laid down on cream board.

Saint John the Evangelist, n.d.

Pascal-Adolphe-Jean Dagnan-Bouveret

A work made of lithograph in black on cream wove paper.

0 Through 9, 1960

Jasper Johns

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