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A work made of oil on board.

Fountain of Neptune, 1902

John Singer Sargent

A work made of gelatin silver print.

John Marin, 1921/22

Alfred Stieglitz

A work made of oil on canvas.

Captain John Garish, 1737

John Smibert

A work made of watercolor with blotting and rewetting, on lightweight, slightly textured, off-white wove paper (top and lower edges trimmed).

Spring (Montbarbin), 1909

John Marin

A work made of offset periodicals (bound and loose).

A.I.Z. (Workers' Illustrated Magazine), 1929–1934

John Heartfield

Black bronze statue of African American man, shackles broken, sitting on tree stump.

The Freedman, Modeled 1862–63

John Quincy Adams Ward

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Virgin and Child with the Young Saint John the Baptist, c. 1515

Antonio da Correggio

A work made of oil on canvas.

Wine, Cheese, and Fruit, 1857

John F. Francis

A work made of pen and brown ink over graphite on ivory laid papper, tipped onto card.

Full Length Portrait of a Man Standing near Balustrade, c. 1737

John Vanderbank

A work made of lithograph on natural nacre paper.

Loft Explosion, 1963

John Hultberg

A work made of engraving on paper.

St. John the Baptist, n.d.

Martin Schongauer

A self-portrait oil painting of American artist Archibald John Motley, Jr. He wears a white shirt, a black tie with a diamond horseshoe pin, and a brown jacket; in his left hand he holds a palette, upon which are splotches of paint arranged according to the order of the color wheel; in his right hand he holds a long, slender paintbrush. Motley’s eyes are directed towards the viewer, he has a small mustache, and his light brown skin is contrasted by the black background.

Self-Portrait, c. 1920

Archibald John Motley Jr.

A work made of lithographic crayon, with scraping and smudging, on cream wove paper.

Breadwinner (War), 1942

John Wilson

A work made of oil on canvas.

Portrait of a Young Man, 1749–52

John Wollaston

A work made of color lithograph from eleven stones on ivory wove paper.

False Start I, 1962

Jasper Johns

A work made of watercolor with wiping and scraping, and with opaque watercolor, over graphite, on medium-weight (estimated), moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp board faced with ivory wove (estimated) paper, gilt with silver leaf, and backed with dark red wove paper, in original frame.

Sea, Green and Brown, Maine, 1937

John Marin

A work made of pen and black ink, with brush and gray wash and white gouache, over taces of graphite, on cream wove paper.

Byzantine Column Capital, n.d.

John Ruskin

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

A work made of oil on canvas.

A Grey Day, Tangier, 1911

Sir John Lavery

A work made of silverpoint on wood panel prepared with a gesso ground.

The Great Autobiographical Silverpoint Drawing, 1983–84

John Wilde

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