Curator

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A work made of watercolor on ivory.

Portrait of Augustine Taylor, 1777–94

John Ramage

A work made of oil on canvas.

The White Bridge, after 1895

John Henry Twachtman

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

A work made of red chalk on cream laid paper.

Self-Portrait, c. 1779

John Flaxman

A work made of oil on canvas.

Lights of Other Days, 1906

John Frederick Peto

A work made of oil on canvas.

Venetian Glass Workers, 1880–82

John Singer Sargent

A work made of oil on canvas.

Thistles, 1883–89

John Singer Sargent

A work made of hand-colored etching on paper.

The Death, 1825

John Dean Paul

A work made of graphite on ivory wove paper.

Woman in a Shawl, Sketch of Legs, n.d.

Augustus Edwin John

A work made of oil on canvas.

Daniel Hubbard, 1764

John Singleton Copley

A work made of twelve gelatin silver prints and one chromogenic print.

Fitcher's Bird, 1982

John Baldessari

A work made of steel, paint, and plastic.

Toy, 1961

John Angus Chamberlain

A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

A work made of color lithograph on ivory wove paper.

The Plague, 1963

John Hultberg

A work made of watercolor with rewetting, blotting, wiping, and touches of scraping, over touches of graphite, on thick, rough-textured, ivory wove paper (lower and right edges trimmed).

The Brook, 1910

John Marin

A work made of hand-colored aquatint on ivory wove paper.

Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of sixty glazed ceramic plates with gold trim.

Museotypes, 1983

John Knight

A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of oil on canvas.

Portrait of Charles Deering, 1917

John Singer Sargent

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