Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of marble.

Bacchus Feeding a Panther, 1792

John Deare

A work made of watercolor on ivory.

Portrait of Augustine Taylor, 1777–94

John Ramage

A work made of oil on canvas.

The White Bridge, after 1895

John Henry Twachtman

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

A work made of red chalk on cream laid paper.

Self-Portrait, c. 1779

John Flaxman

A work made of oil on canvas.

Lights of Other Days, 1906

John Frederick Peto

A work made of oil on canvas.

Venetian Glass Workers, 1880–82

John Singer Sargent

A work made of oil on canvas.

Thistles, 1883–89

John Singer Sargent

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Virgin and Child with the Young Saint John the Baptist, c. 1515

Antonio da Correggio

A work made of hand-colored etching on paper.

The Death, 1825

John Dean Paul

A work made of graphite on ivory wove paper.

Woman in a Shawl, Sketch of Legs, n.d.

Augustus Edwin John

A work made of oil on canvas.

Daniel Hubbard, 1764

John Singleton Copley

A work made of twelve gelatin silver prints and one chromogenic print.

Fitcher's Bird, 1982

John Baldessari

A work made of steel, paint, and plastic.

Toy, 1961

John Angus Chamberlain

A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

A work made of color lithograph on ivory wove paper.

The Plague, 1963

John Hultberg

A work made of watercolor with rewetting, blotting, wiping, and touches of scraping, over touches of graphite, on thick, rough-textured, ivory wove paper (lower and right edges trimmed).

The Brook, 1910

John Marin

A work made of hand-colored aquatint on ivory wove paper.

Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of sixty glazed ceramic plates with gold trim.

Museotypes, 1983

John Knight

A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

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