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A work made of lithograph in blue on paper.

Descent, 1971

John Himmelfarb

A work made of gelatin silver print.

Mussehlstr. 23, 1993, printed 2003/04

John Gossage

A work made of gelatin silver print.

Doris, Friedrichstr., 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

Wilmar Koenig's darkroom, Hermannstr. 31, 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

Protoplasmic Self-Portrait, 1937

John Gutmann

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Upper Level and Roof Plan, 1952

Bruce Goff

A work made of gelatin silver print.

John F. Kennedy, 1960

Yousuf Karsh

A work made of pen and brown ink on blue laid paper.

The Preaching of Saint John the Baptist, 1858

Jean Baptiste Carpeaux

A work made of engraving in black on ivory laid paper.

St. John, from The Four Evangelists, 1541

Hans Sebald Beham

A work made of monotype on ivory wove paper.

Dancing Family No. 2, 1945

John Kashdan

A work made of offset color lithograph on white wove paper.

American Center Celebration: John Cage, 1982

Jasper Johns

A work made of photogravure.

Hailing the Ferry, No. 15 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150, 1897

John E. Dumont

A work made of lithograph in black on paper.

Still Life, 1960–63

John Edward Heliker

A work made of lithograph in black on ivory wove paper.

Gulnare (Mlle. Waldor), 1843

Paul Gavarni

A work made of oil on board.

Figure in Pink and Yellow, 1914

Manierre Dawson

A work made of lithograph in black, with scraping, on ivory chine with red and blue fibers laid down on ivory wove paper (chine collé).

Civil War, 1871/73

Édouard Manet

A work made of gelatin silver print.

John Treadway, Matfield Green, Kansas, 1993

Terry Evans

A work made of woodcut in black on ivory laid paper discolored to gray.

The Virgin Appearing to St. John, from The Apocalypse, c. 1511

Albrecht Dürer

A work made of pen and black ink, with brush and gray wash, heightened with white gouache, on cream laid paper, prepared with a brown wash ground, laid down on cream laid paper.

Saint John the Evangelist, 1519

Hans Franckenberger, the Elder

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

Millbank, 1861

James McNeill Whistler

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