Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Upper Level and Roof Plan, 1952

Bruce Goff

A work made of gelatin silver print.

John F. Kennedy, 1960

Yousuf Karsh

A work made of pen and brown ink on blue laid paper.

The Preaching of Saint John the Baptist, 1858

Jean Baptiste Carpeaux

A work made of cotton, plain weave; copperplate printed.

Shakespeare Monument with Fantastic Fountains and Trees (Furnishing Fabric), 1770/89

John Munns

A work made of silver.

Caster, 1760–75

John Gardiner

A work made of gelatin silver print.

Lauai-Kai residence of John Gregg Allerton, June 1976

John Smart

A work made of gelatin silver print.

Self-Portrait, 1985

John Coplans

A work made of engraving in black on ivory laid paper.

St. John, from The Four Evangelists, 1541

Hans Sebald Beham

A work made of lithograph printed in five colors on ivory wove paper, mounted on a fan armature.

Fan: The Races at La Marche, 1885

John Lewis Brown

A work made of lithograph in black on ivory wove paper.

Gulnare (Mlle. Waldor), 1843

Paul Gavarni

A work made of lithograph in black, with scraping, on ivory chine with red and blue fibers laid down on ivory wove paper (chine collé).

Civil War, 1871/73

Édouard Manet

A work made of oil on board.

Figure in Pink and Yellow, 1914

Manierre Dawson

A work made of gelatin silver print.

John Treadway, Matfield Green, Kansas, 1993

Terry Evans

A work made of woodcut in black on ivory laid paper discolored to gray.

The Virgin Appearing to St. John, from The Apocalypse, c. 1511

Albrecht Dürer

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of lithograph in black on ivory wove paper.

Hatteras, 1963

Jasper Johns

A work made of gelatin silver print.

Headless with Bag, 1993

John Goodman

A work made of silver.

Cann, 1755–85

John Bayly

A work made of pen and black ink, with brush and gray wash, heightened with white gouache, on cream laid paper, prepared with a brown wash ground, laid down on cream laid paper.

Saint John the Evangelist, 1519

Hans Franckenberger, the Elder

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

Millbank, 1861

James McNeill Whistler

<<<47484950 >>>