Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

Three Mile Island Nuclear Plant, Susquehanna River, Pennsylvania, from the series "Power Places", May 1982

John Pfahl

A work made of gelatin silver print.

Untitled, c. 1970

John Brook

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of gelatin silver print.

Spandau, 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

Wooden Gothic (Rural Negro Church), 1939

Clarence John Laughlin

A work made of gelatin silver print.

Massive Dance (The Tree as Visual Movement), 1953

Clarence John Laughlin

A work made of silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 's' twill weave with supplementary patterning weft and brocading wefts tied by secondary binding warps in plain and twill interlacings.

Fragment, 14th century

A work made of engraving in black on ivory laid paper.

The Infant John the Baptist, 1520/30

Jean de Gourmont

A work made of chromogenic print.

Trojan Nuclear Plant, Columbia River, Oregon, from the series "Power Places", October 1982

John Pfahl

A work made of gelatin silver print.

Baer, Hermannstr. 31, 1982, printed 2003/04

John Gossage

A work made of pen and black ink, over traces of graphite, on cream wove card.

Now Look Out for Another French Revolution, 1904

John Tinney McCutcheon

A work made of gelatin silver print.

Life Flourishes by Death (#1), 1954

Clarence John Laughlin

A work made of gelatin silver print.

Hellenic Flower (#4) (Asphodel Plantation), 1948

Clarence John Laughlin

A work made of hand-colored etching on ivory laid paper.

John Bull Learning a New Movement, published March 21, 1799

S. W. Fores

A work made of etching on ivory laid paper.

Death on a Pale Horse, 1784, after the drawing of 1775

Joseph Haynes

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of albumen print.

The Tomb of Itimad-ud-Daulah, c. 1858-62

Dr. John Murray

A work made of mezzotint on paper.

Hadley Castle, Near the Nore, n.d.

David Lucas

A work made of pen and brown ink with brush and brown wash over traces of black chalk, on cream laid paper, tipped onto ivory wove card.

Weeping Saint John the Evangelist, n.d.

Unknown Milanese

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