Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black and brown ink on tan wove paper, laid down on cream wove paper.

Juno Comanding the Sun to Set, n.d.

John Flaxman

A work made of gelatin silver print.

Haus der Ministerien, 1990, printed 2003/04

John Gossage

A work made of gelatin silver print.

Under Monumentenbrücke, 1986, printed 2003/04

John Gossage

A work made of powerpoint presentation.

Reconstructing a Public Sphere, 2016

John Miller

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Achmet Kahn I, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of pen and black ink, over traces of graphite, on cream wove card.

World Wars are No Respectors of Neutral Toes, 1916

John Tinney McCutcheon

A work made of etching on cream japanese paper tipped at the top to cream laid paper.

The Delicatessen Maker, 1917

John W. Winkler

A work made of etching on ivory chine paper, laid down on cream wove cardboard.

Boy Playing a Flute, c. 1860

John George Brown

A work made of hand-colored etching on ivory laid paper.

John Bull Learning a New Movement, published March 21, 1799

S. W. Fores

A work made of white pine.

Eagle, c. 1890

John Haley Bellamy

A work made of chromogenic print.

Three Mile Island Nuclear Plant, Susquehanna River, Pennsylvania, from the series "Power Places", May 1982

John Pfahl

A work made of gelatin silver print.

Untitled, c. 1970

John Brook

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of gelatin silver print.

Spandau, 1982, printed 2003/04

John Gossage

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of gelatin silver print.

Massive Dance (The Tree as Visual Movement), 1953

Clarence John Laughlin

A work made of gelatin silver print.

Wooden Gothic (Rural Negro Church), 1939

Clarence John Laughlin

A work made of pen and brown ink with brush and brown wash over traces of black chalk, on cream laid paper, tipped onto ivory wove card.

Weeping Saint John the Evangelist, n.d.

Unknown Milanese

A work made of oil on canvas.

Landscape, 1930

Rufino Tamayo

A work made of gelatin silver print.

John Watts Statue: From Trinity Churchyard, Looking Toward One Wall Street, Manhattan, February 1, 1938

Berenice Abbott

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