Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

Three Mile Island Nuclear Plant, Susquehanna River, Pennsylvania, from the series "Power Places", May 1982

John Pfahl

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of gelatin silver print.

Spandau, 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of gelatin silver print.

Wooden Gothic (Rural Negro Church), 1939

Clarence John Laughlin

A work made of gelatin silver print.

Massive Dance (The Tree as Visual Movement), 1953

Clarence John Laughlin

A work made of oil on canvas mounted on board.

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77

Thomas Eakins

A work made of black and red chalk on tan laid paper, laid down on card.

Saint John the Baptist and San Bernardo degli Uberti, n.d.

Andrea del Sarto

A work made of oil on canvas.

PH-246, 1951/52

Clyfford Still

A work made of engraving in black on ivory laid paper.

The Infant John the Baptist, 1520/30

Jean de Gourmont

A work made of chromogenic print.

Trojan Nuclear Plant, Columbia River, Oregon, from the series "Power Places", October 1982

John Pfahl

A work made of gelatin silver print.

Baer, Hermannstr. 31, 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

Life Flourishes by Death (#1), 1954

Clarence John Laughlin

A work made of gelatin silver print.

Hellenic Flower (#4) (Asphodel Plantation), 1948

Clarence John Laughlin

A work made of pen and black ink, over traces of graphite, on cream wove card.

Now Look Out for Another French Revolution, 1904

John Tinney McCutcheon

A work made of mezzotint on paper.

Spring, 1830

David Lucas

A work made of hand-colored etching on ivory laid paper.

John Bull Learning a New Movement, published March 21, 1799

S. W. Fores

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of albumen print.

The Tomb of Itimad-ud-Daulah, c. 1858-62

Dr. John Murray

A work made of oil on ivory.

The Time-Binder, 1922

Mira Edgerly-Korzybska

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