Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Under Monumentenbrücke, 1986, printed 2003/04

John Gossage

A work made of powerpoint presentation.

Reconstructing a Public Sphere, 2016

John Miller

A work made of pen and black ink, over traces of graphite, on cream wove card.

World Wars are No Respectors of Neutral Toes, 1916

John Tinney McCutcheon

A work made of etching on cream japanese paper tipped at the top to cream laid paper.

The Delicatessen Maker, 1917

John W. Winkler

A work made of etching on ivory chine paper, laid down on cream wove cardboard.

Boy Playing a Flute, c. 1860

John George Brown

A work made of pen and brown ink with brush and brown wash, over black chalk, on cream laid paper.

Saint John the Baptist Preaching, n.d.

Luca Giordano

A work made of woodcut in black on ivory laid paper.

The Harrowing of Hell - Christ in Limbo, plate nine from The Large Passion, 1510

Albrecht Dürer

A work made of gelatin silver print.

John Szarkowski, MOMA, 1978

Martha Pearson Casanave

A work made of red chalk on cream laid paper, laid down on ivory laid paper.

Saint John the Baptist (or Christ) Preaching, 1580/1600

Unknown Tuscan

A work made of white pine.

Eagle, c. 1890

John Haley Bellamy

A work made of chromogenic print.

Three Mile Island Nuclear Plant, Susquehanna River, Pennsylvania, from the series "Power Places", May 1982

John Pfahl

A work made of gelatin silver print.

Untitled, c. 1970

John Brook

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of silver gilt with spessartine garnets.

Chalice, c.1827–28

John Bridge

A work made of gelatin silver print.

Spandau, 1982, printed 2003/04

John Gossage

A work made of silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 's' twill weave with supplementary patterning weft and brocading wefts tied by secondary binding warps in plain and twill interlacings.

Fragment, 14th century

A work made of gelatin silver print.

Wooden Gothic (Rural Negro Church), 1939

Clarence John Laughlin

A work made of gelatin silver print.

Massive Dance (The Tree as Visual Movement), 1953

Clarence John Laughlin

A work made of woodcut in black on ivory laid paper.

Saint John, from The Martyrdom of the Apostles, c. 1512

Lucas Cranach the Elder

A work made of chromogenic print.

Trojan Nuclear Plant, Columbia River, Oregon, from the series "Power Places", October 1982

John Pfahl

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