Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving in black on ivory wove paper.

Midi, 1966

John Pitman Weber

A work made of watercolor and pen and brown ink, over graphite, on cream wove paper.

Back View of the Elephant at the Regent's Park Zoological, n.d.

John Leech

A work made of pen and black and brown ink on tan wove paper, laid down on cream wove paper.

Juno Comanding the Sun to Set, n.d.

John Flaxman

A work made of charcoal with stumping and traces of brush and black wash on cream laid paper.

Fright, n.d.

John Downman

A work made of lithograph from one stone in gray on ivory wove paper.

Target, 1960

Jasper Johns

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Achmet Kahn I, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of gelatin silver print.

Haus der Ministerien, 1990, printed 2003/04

John Gossage

A work made of gelatin silver print.

Under Monumentenbrücke, 1986, printed 2003/04

John Gossage

A work made of powerpoint presentation.

Reconstructing a Public Sphere, 2016

John Miller

A work made of black chalk with traces of white chalk on gray-brown wove paper.

Study for The Festival, 1871

Sir John Edward Poynter

A work made of etching on ivory laid paper.

Death on a Pale Horse, 1784, after the drawing of 1775

Joseph Haynes

A work made of mezzotint on paper.

Hadley Castle, Near the Nore, n.d.

David Lucas

A work made of etching on cream japanese paper tipped at the top to cream laid paper.

The Delicatessen Maker, 1917

John W. Winkler

A work made of pen and black ink, over traces of graphite, on cream wove card.

World Wars are No Respectors of Neutral Toes, 1916

John Tinney McCutcheon

A work made of etching on ivory chine paper, laid down on cream wove cardboard.

Boy Playing a Flute, c. 1860

John George Brown

A work made of lithograph in black on cream japanese paper.

Cover-Frontispiece for the Apocalypse of St. John, 1899

Odilon Redon

A work made of woodcut on ivory wove paper.

Rev. John Farrer, n.d.

Thomas Bewick

A work made of engraving in black on ivory laid paper.

St. John, from The Four Evangelists, 1541

Hans Sebald Beham

A work made of oil on canvas mounted on board.

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77

Thomas Eakins

A work made of white pine.

Eagle, c. 1890

John Haley Bellamy

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