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A work made of silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 's' twill weave with supplementary patterning weft and brocading wefts tied by secondary binding warps in plain and twill interlacings.

Fragment, 14th century

A work made of red chalk on ivory laid paper, tipped onto ivory wove card.

Madonna and Child with Saints Elizabeth and John the Baptist, after 1606

Annibale Carracci

A work made of engraving in black on ivory laid paper.

Penance of St. John Chrysostomus, n.d.

Hans Sebald Beham

A work made of chiaroscuro woodcut in tan and black on ivory laid paper.

St. John the Baptist, n.d.

Conte Antonio Maria Zanetti, the Elder

A work made of white pine.

Eagle, c. 1890

John Haley Bellamy

A work made of pen and brown ink with brush and brown wash, over black chalk, on cream laid paper.

Saint John the Baptist Preaching, n.d.

Luca Giordano

A work made of gelatin silver print.

Untitled, c. 1970

John Brook

A work made of chromogenic print.

Three Mile Island Nuclear Plant, Susquehanna River, Pennsylvania, from the series "Power Places", May 1982

John Pfahl

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of gelatin silver print.

Spandau, 1982, printed 2003/04

John Gossage

A work made of gelatin silver print.

Wooden Gothic (Rural Negro Church), 1939

Clarence John Laughlin

A work made of gelatin silver print.

Massive Dance (The Tree as Visual Movement), 1953

Clarence John Laughlin

A work made of gelatin silver print.

John Szarkowski, MOMA, 1978

Martha Pearson Casanave

A work made of red chalk on cream laid paper, laid down on ivory laid paper.

Saint John the Baptist (or Christ) Preaching, 1580/1600

Unknown Tuscan

A work made of graphite on tracing paper.

Evelyn and John Garvey House, Number 1, Urbana, Illinois, Aerial Perspective, 1952

Bruce Goff

A work made of etching on ivory laid paper.

Death on a Pale Horse, 1784, after the drawing of 1775

Joseph Haynes

A work made of mezzotint on paper.

Hadley Castle, Near the Nore, n.d.

David Lucas

A work made of oil on canvas mounted on board.

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77

Thomas Eakins

A work made of chromogenic print.

Trojan Nuclear Plant, Columbia River, Oregon, from the series "Power Places", October 1982

John Pfahl

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