Curator

  • Art Institute Chicago
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A work made of pen and brown ink with brush and brown wash, heightened with white gouache, with black chalk, on blue laid paper, laid down on ivory laid paper.

Seated Saint John the Baptist, c. 1600

Circle of Jacopo Palma, called Palma il Giovane

A work made of colored pencils and graphite on white wove hotel stationery.

Untitled (Portrait of John Chamberlain), 1990

Martin Kippenberger

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

A work made of color aquatint and open bite etching on ivory wove paper.

I Stretched Forth My Hands, 1955

John Talleur

The Complete Berlin

The Complete Berlin, 1982/93, printed 2003/06

John Gossage

A work made of watercolor and brush and black ink on off-white wove paper, laid down on off-white wove paper.

Hidden Faces, c. 1944

Salvador Dalí

Tapestry with paisley design throughout in reds, purples, blues, and beiges, with fringe on top and bottom.

Shawl Border Fragment, 1815/20

A work made of gouache on gelatin silver print, hand colored.

Proposal To Paint the Shadow of Madison Square Garden Tower, Corner of Central Park South and 23rd Street, New York City, New York, Photograph, 1976

Richard John Haas

A work made of lithograph from two stones in black and gray on ivory wove japanese paper.

Target, 1960

Jasper Johns

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Nine Desert Snowballs, Hell's Half Acre, Wyoming, 1977, printed c. 1981

John Pfahl

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Roan Mountain Lightning, Roan Mountain, North Carolina, 1977, printed c. 1981

John Pfahl

A work made of gelatin silver print.

Armenian Monastery on the Island of San Lazzaro, Venice, 1965

John Mahtesian

A work made of chromogenic print.

Caratunk, Maine, August 1977

John Lueders-Booth

A work made of lithograph in black on ivory wove paper, laid down on ivory cloth.

The Cats' Rendezvous, 1868

Édouard Manet

A work made of aquatint with etching and hand-coloring on cream wove paper.

Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of etching on paper.

Judith with the Head of Holofernes, n.d.

Jacques Callot

A work made of mezzotint in black on ivory wove paper.

Glebe Farm, published June 1832

David Lucas

A work made of chiaroscuro woodcut in tan and black on ivory laid paper.

St. John the Baptist, n.d.

Conte Antonio Maria Zanetti, the Elder

A work made of engraving in black on ivory laid paper.

Penance of St. John Chrysostomus, n.d.

Hans Sebald Beham

A work made of lithograph on ivory wove paper.

Wild Bill Cody, 1927

John Steuart Curry

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