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A work made of etching on cream wove paper.

Lear, March 15, 1776 (originally published); published 1809

John Hamilton Mortimer

A work made of woodcut in black on ivory laid paper.

The Harrowing of Hell - Christ in Limbo, plate nine from The Large Passion, 1510

Albrecht Dürer

A work made of woodcut in black on ivory laid paper.

Saint John, from The Martyrdom of the Apostles, c. 1512

Lucas Cranach the Elder

A work made of graphite (recto and verso) on brown wove paper.

Tiger (recto); Nude Studies (verso), 1895/1900

John Marin

A work made of graphite on paper.

Faith, n.d.

John La Farge

A work made of brush and black and gray wash and graphite (recto), and graphite (verso), on cream wove paper.

Sapperton Village (recto and verso), 1920

John Northcote Nash

A work made of gelatin silver print.

Big John, 1969

Jonas Dovydenas

A work made of silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 's' twill weave with supplementary patterning weft and brocading wefts tied by secondary binding warps in plain and twill interlacings.

Fragment, 14th century

A work made of monotype and watercolor, on ivory wove paper.

Head, 1946

John Kashdan

A work made of red chalk on cream laid paper.

Portrait of Lady, n.d.

John Hoppner

A work made of graphite (recto and verso) on brown wove paper.

Two Street Scenes (recto); Figure Studies (verso), 1895/1900

John Marin

A work made of aquatint with etching and hand-coloring on cream wove paper.

Washington's Sepulchre, Mt Vernon, Virginia, plate two of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of gelatin silver print.

Berlin ost, unknown location, 1986, printed 2003/04

John Gossage

A work made of gelatin silver print.

Friedrich-List-Ufer, through the border, ost, 1986, printed 2003/04

John Gossage

A work made of aquatint and soft ground etching on cream wove paper.

Pine Trees in the Mountains, 1789

John Robert Cozens

A work made of etching on ivory laid paper.

Death on a Pale Horse, 1784, after the drawing of 1775

Joseph Haynes

A work made of mezzotint on paper.

Hadley Castle, Near the Nore, n.d.

David Lucas

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

The Complete Berlin

The Complete Berlin, 1982/93, printed 2003/06

John Gossage

A work made of color aquatint and open bite etching on ivory wove paper.

I Stretched Forth My Hands, 1955

John Talleur

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