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A work made of oil on canvas.

William Gifford, c. 1800

After John Hoppner

A work made of maple.

Side Chair, 1735–43

John Gaines, III

A work made of lithograph in black on cream wove paper.

Sanctuary, 1944

John Steuart Curry

A work made of bronze.

Return from the Hunt, by 1908

John J. Boyle

A work made of gelatin silver print.

In der Kunstlergarderobe im Spiegel. Die Tanzerin, Lisa Czobel (In the Wardrobe Mirror. The Dancer, Lisa Czobel), c. 1935

John H. Popper

A work made of gelatin silver print.

House, Monticello, Minnesota, 1957

John Szarkowski

A work made of gelatin silver print.

Breach of a Friendship, 1935

John Gutmann

A work made of mezzotint on cream laid paper.

Mr. Garrick in "Richard the Third", published April 28, 1772

John Dixon

A work made of wool, plain weave double cloth; main warp fringe; woven on loom with jacquard attachment; two loom widths joined.

Coverlet, 1872

John E. Schneider

A work made of etching on cream wove paper.

Lear, March 15, 1776 (originally published); published 1809

John Hamilton Mortimer

A work made of graphite (recto and verso) on brown wove paper.

Tiger (recto); Nude Studies (verso), 1895/1900

John Marin

A work made of graphite on paper.

Faith, n.d.

John La Farge

A work made of brush and black and gray wash and graphite (recto), and graphite (verso), on cream wove paper.

Sapperton Village (recto and verso), 1920

John Northcote Nash

A work made of chiaroscuro woodcut in tan and black on ivory laid paper.

St. John the Baptist, n.d.

Conte Antonio Maria Zanetti, the Elder

A work made of engraving in black on ivory laid paper.

Penance of St. John Chrysostomus, n.d.

Hans Sebald Beham

A work made of woodcut in black on tan laid paper.

St. John before God and the Elders, from The Apocalypse, c. 1496–98, published 1511

Albrecht Dürer

A work made of red chalk on ivory laid paper, tipped onto ivory wove card.

Madonna and Child with Saints Elizabeth and John the Baptist, after 1606

Annibale Carracci

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of pen and brown ink with brush and brown wash, over black chalk, on cream laid paper.

Saint John the Baptist Preaching, n.d.

Luca Giordano

A work made of monotype and watercolor, on ivory wove paper.

Head, 1946

John Kashdan

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