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A work made of graphite (recto and verso) on brown wove paper.

Tiger (recto); Nude Studies (verso), 1895/1900

John Marin

A work made of graphite on paper.

Faith, n.d.

John La Farge

A work made of brush and black and gray wash and graphite (recto), and graphite (verso), on cream wove paper.

Sapperton Village (recto and verso), 1920

John Northcote Nash

A work made of gold, carnelian, and enamel.

Hat Badge with the Head of Saint John the Baptist Adapted as a Pendant, c. 1500

A work made of etching and drypoint on cream laid paper.

Morning on St. John's, Florida, 1886

Thomas Moran

A work made of gelatin silver print.

Bonnie Logan Hensley with baby John Hensley, c. 1928/34

Doris Ulmann

A work made of woodcut in black on ivory laid paper.

The Martyrdom of John the Baptist, 1510

Albrecht Dürer

A work made of monotype and watercolor, on ivory wove paper.

Head, 1946

John Kashdan

A work made of red chalk on cream laid paper.

Portrait of Lady, n.d.

John Hoppner

A work made of graphite (recto and verso) on brown wove paper.

Two Street Scenes (recto); Figure Studies (verso), 1895/1900

John Marin

A work made of gelatin silver print.

Berlin ost, unknown location, 1986, printed 2003/04

John Gossage

A work made of gelatin silver print.

Friedrich-List-Ufer, through the border, ost, 1986, printed 2003/04

John Gossage

A work made of aquatint with etching and hand-coloring on cream wove paper.

Washington's Sepulchre, Mt Vernon, Virginia, plate two of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of etching on ivory laid paper.

John Hay, 1904

Anders Zorn

A work made of aquatint and soft ground etching on cream wove paper.

Pine Trees in the Mountains, 1789

John Robert Cozens

A work made of pen and brown ink and brush and gray and brown wash, over traces of graphite, on tan laid paper.

Virgin and Sleeping Christ Child with the Infant John the Baptist, 18th century

Raphael

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

The Complete Berlin

The Complete Berlin, 1982/93, printed 2003/06

John Gossage

A work made of color aquatint and open bite etching on ivory wove paper.

I Stretched Forth My Hands, 1955

John Talleur

A work made of gelatin silver print.

Pope John Paul II, 1979

Yousuf Karsh

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