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A work made of woodcut on cream laid paper.

Repose, c. 1920

John Bradley Storrs

A work made of gelatin silver print.

John Lewis in Cairo, 1963, printed 2010

Danny Lyon

A work made of color silkscreen on white wove paper.

Ballbusters, 1972

John Loring

A work made of carbon print.

The Hiawatha, 1938

John Skara

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

4, from 0-9, 1963

Jasper Johns

A work made of cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch.

Curtain Panel, 1905

John Scott Bradstreet

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of oil on canvas.

William Gifford, c. 1800

After John Hoppner

A work made of maple.

Side Chair, 1735–43

John Gaines, III

A work made of lithograph in black on cream wove paper.

Sanctuary, 1944

John Steuart Curry

A work made of oil on canvas.

St. John of Matha and St. Felix of Valois Ransoming Christian Slaves, c. 1745

Franz Xavier Karl Palko

A work made of gelatin silver print.

In der Kunstlergarderobe im Spiegel. Die Tanzerin, Lisa Czobel (In the Wardrobe Mirror. The Dancer, Lisa Czobel), c. 1935

John H. Popper

A work made of gelatin silver print.

Jasper Johns, 1990

Yousuf Karsh

A work made of gelatin silver print.

House, Monticello, Minnesota, 1957

John Szarkowski

A work made of gelatin silver print.

Breach of a Friendship, 1935

John Gutmann

A work made of mezzotint on cream laid paper.

Mr. Garrick in "Richard the Third", published April 28, 1772

John Dixon

A work made of wool, plain weave double cloth; main warp fringe; woven on loom with jacquard attachment; two loom widths joined.

Coverlet, 1872

John E. Schneider

A work made of etching on cream wove paper.

Lear, March 15, 1776 (originally published); published 1809

John Hamilton Mortimer

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of graphite (recto and verso) on brown wove paper.

Tiger (recto); Nude Studies (verso), 1895/1900

John Marin

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