Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silver.

Tankard, c. 1729

John Burt

A work made of etching on ivory wove chine laid down on off-white wove paper.

Happy Springtime, 1860

Sir John Everett Millais

A work made of colored pencils and graphite on white wove hotel stationery.

Untitled (Portrait of John Chamberlain), 1990

Martin Kippenberger

A work made of pen and brown ink with brush and brown wash, heightened with white gouache, with black chalk, on blue laid paper, laid down on ivory laid paper.

Seated Saint John the Baptist, c. 1600

Circle of Jacopo Palma, called Palma il Giovane

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Great Salt Lake Angles, Great Salt Lake, Utah, October 1977, printed c. 1981

John Pfahl

A work made of crayon-masked aquatint (lithoground) and spitbite in color on off-white wove paper.

Leo, 1997

Jasper Johns

A work made of watercolor and graphite on cream wove paper.

Standing Moroccan Man, in Profile, 1929

John Warner Norton

A work made of watercolor and gouache, over graphite, on white wove paper.

Goulart House, Provincetown, 1921

John Robinson Frazier

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Tree and Mountain Cleft, Boulder, Colorado, 1977, printed c. 1981

John Pfahl

A work made of gelatin silver print.

Self-Portrait (Side Torso Bent with Large Upper Arm II), 1985

John Coplans

A work made of pen and black ink, and brush and brown wash on paper.

Spruce Mill, Ketchikan, Alaska, 1935/42

John Walley

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of graphite, with smudging, on ivory wove paper.

Young Woman with Arms Crossed, n.d.

Augustus Edwin John

A work made of gelatin silver print.

Hellenic Flower (#2) (Asphodel Plantation), 1948

Clarence John Laughlin

A work made of woodcut on cream laid paper.

Repose, c. 1920

John Bradley Storrs

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of color silkscreen on white wove paper.

Ballbusters, 1972

John Loring

A work made of carbon print.

The Hiawatha, 1938

John Skara

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

4, from 0-9, 1963

Jasper Johns

A work made of oil on canvas.

William Gifford, c. 1800

After John Hoppner

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