Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and graphite on cream wove paper (discolored to tan).

Moroccan Man and Woman Standing, 1929

John Warner Norton

A work made of platinum print.

Violin Abstraction, 1918

John P. Heins

A work made of etching on ivory wove paper.

At Bawburgh, 1813

John Crome

A work made of brush and gray wash, over lithograph from one stone in black, on newsprint.

Target, 1960

Jasper Johns

A work made of gelatin silver print.

Self-Portrait with Love Bird, 1934, printed later

John Gutmann

A work made of graphite on brown wove paper.

Horses, 1895/1900

John Marin

A work made of graphite on brown wove paper.

Downtown with Statue, 1895/1900

John Marin

A work made of gelatin silver print.

Big John, 1969

Jonas Dovydenas

A work made of graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory.

Study for the Head of the Rescuing Lover in Escape of the Heretic, 1857

Sir John Everett Millais

A work made of graphite and watercolor on off-white wove paper.

Design for a Window: St. George, n.d.

John La Farge

A work made of graphite and gray wash on ivory wove paper.

Cley Church, Norfolk, 1818

John Sell Cotman

A work made of silver.

Tankard, c. 1729

John Burt

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on buff laid paper, pieced together.

Saint John the Evangelist, n.d.

Abraham Bloemaert

A work made of crayon-masked aquatint (lithoground) and spitbite in color on off-white wove paper.

Leo, 1997

Jasper Johns

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Great Salt Lake Angles, Great Salt Lake, Utah, October 1977, printed c. 1981

John Pfahl

A work made of etching on ivory wove chine laid down on off-white wove paper.

Happy Springtime, 1860

Sir John Everett Millais

Apocalypse of St. John (Apocalypse de Saint Jean)

Apocalypse of St. John (Apocalypse de Saint Jean), 1959

Rufino Tamayo

A work made of watercolor and graphite on cream wove paper.

Standing Moroccan Man, in Profile, 1929

John Warner Norton

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of watercolor and gouache, over graphite, on white wove paper.

Goulart House, Provincetown, 1921

John Robinson Frazier

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