Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and gouache, over graphite, on white wove paper.

Goulart House, Provincetown, 1921

John Robinson Frazier

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Tree and Mountain Cleft, Boulder, Colorado, 1977, printed c. 1981

John Pfahl

A work made of gelatin silver print.

Self-Portrait (Side Torso Bent with Large Upper Arm II), 1985

John Coplans

A work made of pen and black ink, and brush and brown wash on paper.

Spruce Mill, Ketchikan, Alaska, 1935/42

John Walley

A work made of gelatin silver print.

Pope John Paul II, 1979

Yousuf Karsh

A work made of graphite, with smudging, on ivory wove paper.

Young Woman with Arms Crossed, n.d.

Augustus Edwin John

A work made of gelatin silver print.

Hellenic Flower (#2) (Asphodel Plantation), 1948

Clarence John Laughlin

A work made of woodcut on cream laid paper.

Repose, c. 1920

John Bradley Storrs

A work made of engraving in black on buff laid paper.

The Holy Family with the Infant Saint John, 1500/10

Giovanni Antonio da Brescia

A work made of color silkscreen on white wove paper.

Ballbusters, 1972

John Loring

A work made of carbon print.

The Hiawatha, 1938

John Skara

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

4, from 0-9, 1963

Jasper Johns

A work made of oil on canvas.

William Gifford, c. 1800

After John Hoppner

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of cotton, plain weave; appliqued with linen, plain weave; machine embroidered with silk yarn and cotton thread in looped stitch.

Curtain Panel, 1905

John Scott Bradstreet

A work made of lithograph in black on cream wove paper.

Sanctuary, 1944

John Steuart Curry

A work made of maple.

Side Chair, 1735–43

John Gaines, III

A work made of pen and brown ink with brush and brown wash, heightened with white gouache, with black chalk, on blue laid paper, laid down on ivory laid paper.

Seated Saint John the Baptist, c. 1600

Circle of Jacopo Palma, called Palma il Giovane

A work made of colored pencils and graphite on white wove hotel stationery.

Untitled (Portrait of John Chamberlain), 1990

Martin Kippenberger

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