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A work made of hand-colored aquatint on ivory wove paper.

A Struggle for the Start, plate one from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of oil on canvas.

Portrait of a Woman, 1749–52

John Wollaston

A work made of etching with plate tone on white wove paper.

Sailboat, 1932

John Marin

A work made of watercolor with touches of blotting, over traces of graphite, on lightweight, moderately textured, ivory wove paper, laid down on off-white wood-pulp laminate board.

Mills and Footbridge, Meaux, 1908

John Marin

A work made of graphite on lightweight, smooth, cream wove paper, laid down on white wove card.

Sketch of Lower Manhattan, c. 1917

John Marin

A work made of oil on canvas.

John Nicholson, 1790

Charles Willson Peale

A work made of watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper.

Movement: Fifth Avenue, 1912

John Marin

A work made of oil on canvas.

#10, 1961

John McLaughlin

A work made of bronze with green patina.

Young Sophocles Leading the Chorus of Victory after the Battle of Salamis, Modeled 1885, cast 1911

John Donoghue

A work made of tempera on panel.

Saint John the Baptist Entering the Wilderness, c. 1455

Giovanni di Paolo

A work made of engraving in black on ivory laid paper.

The Penitence of Saint John Chrysostom, 1509

Lucas Cranach the Elder

A work made of bronze, edition number two of four.

Flag, 1960

Jasper Johns

A work made of oil paint and graphite with smudging on tan wove paper, laid down on japanese paper.

Apotheosis, 1955–57

John Graham

A work made of pen and brown ink, with brush and pale brown wash, over red chalk and brush and red chalk wash, on ivory laid paper, laid down on ivory wove paper.

Holy Family with the Infant Saint John, n.d.

Valerio Castello

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of oil on panel.

Landscape with Figures Crossing a Bridge, 1790–1800

John Rathbone

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, c. 1455

Giovanni di Paolo

A work made of marble.

Bacchus Feeding a Panther, 1792

John Deare

A work made of watercolor on ivory.

Portrait of Augustine Taylor, 1777–94

John Ramage

A work made of oil on canvas.

The White Bridge, after 1895

John Henry Twachtman

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