Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of platinum print.

Violin Abstraction, 1918

John P. Heins

A work made of hand-colored etching on ivory paper.

John Bull Humbugg'd Alias both Ear'd, published May 12, 1794

Isaac Cruikshank

A work made of brush and gray wash, over lithograph from one stone in black, on newsprint.

Target, 1960

Jasper Johns

A work made of etching on ivory wove paper.

At Bawburgh, 1813

John Crome

A work made of graphite on brown wove paper.

Horses, 1895/1900

John Marin

A work made of graphite on brown wove paper.

Downtown with Statue, 1895/1900

John Marin

A work made of gelatin silver print.

Self-Portrait with Love Bird, 1934, printed later

John Gutmann

A work made of etching and drypoint on cream laid paper.

Morning on St. John's, Florida, 1886

Thomas Moran

A work made of gold, carnelian, and enamel.

Hat Badge with the Head of Saint John the Baptist Adapted as a Pendant, c. 1500

A work made of graphite and watercolor on off-white wove paper.

Design for a Window: St. George, n.d.

John La Farge

A work made of graphite and gray wash on ivory wove paper.

Cley Church, Norfolk, 1818

John Sell Cotman

A work made of gelatin silver print.

Bonnie Logan Hensley with baby John Hensley, c. 1928/34

Doris Ulmann

A work made of woodcut in black on ivory laid paper.

The Martyrdom of John the Baptist, 1510

Albrecht Dürer

A work made of silver.

Tankard, c. 1729

John Burt

A work made of etching on ivory laid paper.

John Hay, 1904

Anders Zorn

A work made of etching on ivory wove chine laid down on off-white wove paper.

Happy Springtime, 1860

Sir John Everett Millais

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Great Salt Lake Angles, Great Salt Lake, Utah, October 1977, printed c. 1981

John Pfahl

A work made of crayon-masked aquatint (lithoground) and spitbite in color on off-white wove paper.

Leo, 1997

Jasper Johns

A work made of pen and brown ink and brush and gray and brown wash, over traces of graphite, on tan laid paper.

Virgin and Sleeping Christ Child with the Infant John the Baptist, 18th century

Raphael

A work made of watercolor and graphite on cream wove paper.

Standing Moroccan Man, in Profile, 1929

John Warner Norton

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