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  • Art Institute Chicago
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A work made of lithograph from one stone and eight aluminum plates on white wove paper.

Zone, 1972

Jasper Johns

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of hand-colored etching on ivory paper.

John Bull Humbugg'd Alias both Ear'd, published May 12, 1794

Isaac Cruikshank

A work made of etching and drypoint on cream laid paper.

Morning on St. John's, Florida, 1886

Thomas Moran

A work made of gold, carnelian, and enamel.

Hat Badge with the Head of Saint John the Baptist Adapted as a Pendant, c. 1500

A work made of pen and brown ink, over graphite, on cream wove paper.

Salvia Silvarum, 1881

John Ruskin

A work made of gelatin silver print.

National Farmers' (later Security) Bank, Owatonna, Minnesota, 1907–8, 1954/56

John Szarkowski

A work made of gelatin silver print.

Welding Frames to Caissons, Lake Maracaibo, Western Venezuela, 1944

John Vachon

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

2, from 0-9, 1963

Jasper Johns

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of color lithograph on japanese paper.

A Lavatory, 1909

John Copley

A work made of gelatin silver print.

The Fall, 1934

John Gutmann

A work made of gelatin silver print.

Bonnie Logan Hensley with baby John Hensley, c. 1928/34

Doris Ulmann

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of silkscreen in 29 colors on white wove paper.

The Carousel, 1975

John August Swanson

A work made of woodcut in black on ivory laid paper.

The Martyrdom of John the Baptist, 1510

Albrecht Dürer

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of birch plywood, maple, and imbuia.

2-D Thonet, 1985

John Cederquist

A work made of etching on ivory laid paper.

John Hay, 1904

Anders Zorn

A work made of pen and brown ink and brush and gray and brown wash, over traces of graphite, on tan laid paper.

Virgin and Sleeping Christ Child with the Infant John the Baptist, 18th century

Raphael

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