Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

2, from 0-9, 1963

Jasper Johns

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of silkscreen in 29 colors on white wove paper.

The Carousel, 1975

John August Swanson

A work made of engraving on paper.

The Crucifixion with the Holy Women, St. John and Roman Soldiers, n.d.

Martin Schongauer

A work made of bronze.

Anonymous Follis (Coin), Attributed to John I Tzimisces, 972-976

Byzantine

A work made of birch plywood, maple, and imbuia.

2-D Thonet, 1985

John Cederquist

A work made of etching on cream wove paper.

Ophelia, from Twelve Characters from Shakespeare, May 20, 1775 (originally published); published 1809

John Hamilton Mortimer

A work made of tempera on panel.

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant, 1325/35

Ugolino di Nerio

A work made of pen and black ink, over graphite, on tan wove paper.

Sleep Escaping from the Wrath of Zeus, n.d.

John Flaxman

A work made of oil on canvas.

Portrait of a Gentleman, c. 1810

John Jackson

A work made of lithograph from seven stones in white on black wove japanese paper, laid down on black wove paper (chine collé).

White Target, 1967–68

Jasper Johns

A work made of gelatin silver print.

National Farmers' (later Security) Bank, Owatonna, Minnesota, 1907–8, 1954/56

John Szarkowski

A work made of graphite on white wove paper.

Skull, 1988

John Wickenberg

A work made of graphite on brown wove paper.

Crowded Sidewalk in Front of Mansard Roof, 1895/1900

John Marin

A work made of watercolor and graphite on cream wove paper (discolored to tan).

Moroccan Man and Woman Standing, 1929

John Warner Norton

A work made of graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory.

Study for the Head of the Rescuing Lover in Escape of the Heretic, 1857

Sir John Everett Millais

A work made of platinum print.

Violin Abstraction, 1918

John P. Heins

A work made of brush and gray wash, over lithograph from one stone in black, on newsprint.

Target, 1960

Jasper Johns

A work made of gelatin silver print.

Self-Portrait with Love Bird, 1934, printed later

John Gutmann

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