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A work made of lithograph, one color on each side of mylar.

Untitled, from The New York Collection for Stockholm, 1973

John Angus Chamberlain

A work made of black pastel, heightened with white pastel, on blue wove paper.

Study for Israel in Egypt, c. 1867

Sir John Edward Poynter

A work made of lithograph from one stone and eight aluminum plates on white wove paper.

Zone, 1972

Jasper Johns

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of hand-colored etching on ivory paper.

John Bull Humbugg'd Alias both Ear'd, published May 12, 1794

Isaac Cruikshank

A work made of gelatin silver print.

National Farmers' (later Security) Bank, Owatonna, Minnesota, 1907–8, 1954/56

John Szarkowski

A work made of gelatin silver print.

Welding Frames to Caissons, Lake Maracaibo, Western Venezuela, 1944

John Vachon

A work made of pen and brown ink, over graphite, on cream wove paper.

Salvia Silvarum, 1881

John Ruskin

A work made of color lithograph on japanese paper.

A Lavatory, 1909

John Copley

A work made of gelatin silver print.

The Fall, 1934

John Gutmann

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

2, from 0-9, 1963

Jasper Johns

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of gold, carnelian, and enamel.

Hat Badge with the Head of Saint John the Baptist Adapted as a Pendant, c. 1500

A work made of silkscreen in 29 colors on white wove paper.

The Carousel, 1975

John August Swanson

A work made of graphite on paper.

Study for Autumn, n.d.

John La Farge

A work made of etching and drypoint on cream laid paper.

Morning on St. John's, Florida, 1886

Thomas Moran

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 3:1 twill weave with supplementary patterning wefts bound by secondary binding warps in (weft-float faced 1:3) twill interlacings (on reverse face secondary binding warps and supplementary wefts form detached interlacing).

Fragment, Late 14th/15th century

A work made of gelatin silver print.

Bonnie Logan Hensley with baby John Hensley, c. 1928/34

Doris Ulmann

A work made of woodcut in black on ivory laid paper.

The Martyrdom of John the Baptist, 1510

Albrecht Dürer

A work made of birch plywood, maple, and imbuia.

2-D Thonet, 1985

John Cederquist

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