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A work made of engraving with etching in black on ivory laid paper.

The Holy Family with Saint John the Baptist, 1590

Annibale Carracci

A work made of pen and gray ink, over graphite, on gray laid paper.

Seven Chiefs Against Thebes, n.d.

John Flaxman

A work made of brush and black ink, over lithograph from one aluminum plate in white, on black wove paper.

Two Maps I-II, 1965–66

Jasper Johns

A work made of black chalk, heightened with white chalk, on green-gray wove paper, tipped onto cream wove paper.

Walking Through the Fields, July 25, 1868

John Linnell

A work made of chiaroscuro woodcut printed in black and ochre from two blocks, on paper.

The Virgin, Christ Child, and Saint John, 1540/50

Antonio da Trento

A work made of mezzotint with etching, in black, on cream wove paper.

Salisbury Cathedral from the Meadows: the Rainbow, 1834

David Lucas

A work made of gelatin silver print.

Schlesinger & Mayer Department (later Carson Pirie Scott & Co.) Store, Chicago, Illinois, 1899–1904, 1954

John Szarkowski

A work made of color screenprint on board.

44th Annual Exhibition by Artists of Chicago and Vicinity, 1940

John Buczak

A work made of chromogenic print.

802 Poplar Street, Leadville, Colorado, from the series "Picture Windows", May 1980

John Pfahl

A work made of gelatin silver print.

The Inward Eye, 1949

John Gutmann

A work made of mezzotint on tan laid paper.

Reverend John Moorhead, 1751

Peter Pelham

A work made of hand-colored mezzotint on laid cream paper.

Black Monday, or the Departure for School, published December 1, 1790

John Jones

A work made of pen and black ink, over graphite, on tan wove paper, laid down on tan wove paper.

The Harpies and the Daughters of Pandarus, n.d.

John Flaxman

A work made of mezzotint in black on ivory wove paper.

The Daughter of Pharoah Finding the Infant Moses, from Illustrations of the Bible, 1833

John Martin

A work made of aquatint with etching and hand-coloring on cream wove paper.

View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Othman Kahn III, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of pen and brush and black ink, with brush and gray wash, on cream wove paper.

Saint John the Evangelist in Meditation, 1800s

Guercino

A work made of albumen print.

George Duckworth (Study for the Infant Saint John), 1872

Julia Margaret Cameron

A work made of albumen print, pl. 96 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Extreme Line of Confederate Works, Cold Harbor, Virginia, April 1865

John Reekie

A work made of aquatint with etching and hand-coloring on cream wove paper.

Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

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