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A work made of black crayon on ivory laminate board.

Study for a Stained Glass Window, c. 1875

John La Farge

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Étretat: The Beach and the Falaise d'Amont, 1885

Claude Monet

A work made of bronze.

Medal Depicting Henry Hudson and Robert Fulton Celebration, 1909

John Flanagan

A work made of graphite on brown wove paper.

Figure Studies, 1895/1900

John Marin

A work made of gold.

Hyperpyron (Coin) of John II Comnenus, 1118-1143

Byzantine

A work made of graphite, with touches of pen and brown ink (recto and verso) on ivory paper.

Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso), 1853

Sir John Everett Millais

A work made of cotton and wool, plain weave double cloth; woven on loom with jacquard attachment; two loom widths joined; fringed.

Coverlet, 1855

John Craig

A work made of pen and ink on paper.

Vulcan and Thetis, n.d.

John Flaxman

A work made of colored pencils and graphite on off-white wove paper.

Rotation/Sweep Series/Gestalt, 1972

John Pearson

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Pink Rock Rectangle, Lewistown, New York, August 1975, printed c. 1981

John Pfahl

A work made of etching with drypoint, selectively wiped, on ivory japanese paper.

Woolworth from the River, 1917

John Marin

A work made of etching on cream laid paper.

Nude Beside a Bed, 1933

John Sloan

A work made of lithograph on white wove paper.

Chicago Lakefront Festival, 1977

John David Mooney

Multi-color pastel drawing of sharply distorted human figures.

Two Women's Torsos, 1952

Willem de Kooning

A work made of pen and black ink, over traces of graphite, on ivory wove paper, laid down on tan wove paper.

Apollo and Diana, n.d.

John Flaxman

A work made of etching, selectively wiped, on ivory japanese paper.

St. Ouen, Rouen, France, 1909

John Marin

A work made of etching with retroussage, selectively wiped, on ivory japanese paper.

Marketplace, Frauen Kirche, Nuremberg, 1910

John Marin

A work made of etching from the steel-faced plate, selectively wiped, on cream mechanically laid paper.

Through the Window, Venice, 1907

John Marin

A work made of graphite with touches of erasing on ivory wove paper.

End of the Line, 1980

John Grazier

A work made of lithograph from one stone in gray on cream wove paper.

Flag III, 1960

Jasper Johns

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