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A work made of oil on canvas.

Cave Canem, 1944

John Graham

A work made of watercolor with blotting, on lightweight, moderately textured, ivory wove paper, laid down on white wove paper (left edge trimmed).

Buildings, 1910

John Marin

A work made of tempera on panel.

Saint John the Baptist Entering the Wilderness, c. 1455

Giovanni di Paolo

A work made of gelatin silver print.

Icy Road US 77 Near Brookings, in Eastern South Dakota, January 1948

John Vachon

A work made of engraving in black on ivory laid paper.

The Penitence of Saint John Chrysostom, 1509

Lucas Cranach the Elder

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A work made of silk, plain weave; copperplate printed.

Hackney Coach and Cabriolet Fares/ Regulations and Acts of Parliament (Handkerchief), 1832

John Leander Bishop

A work made of hand-colored aquatint on ivory wove paper.

The First Ten Minutes, plate two from The Leicestershire Hunt, published 1825

John Dean Paul

A work made of watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper.

Circus Elephants, 1941

John Marin

A work made of watercolor with opaque watercolor, rewetting and touches of blotting, on lightweight, slightly textured, off-white wove paper, laid down on white wove paper.

Weehawken, New Jersey, 1910

John Marin

A work made of pen and brown ink, with brush and pale brown wash, over red chalk and brush and red chalk wash, on ivory laid paper, laid down on ivory wove paper.

Holy Family with the Infant Saint John, n.d.

Valerio Castello

A work made of oil on canvas.

Life Study (Study of an Egyptian Girl), 1891

John Singer Sargent

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, c. 1455

Giovanni di Paolo

A work made of watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed).

The Red Sun, Brooklyn Bridge, 1922

John Marin

A work made of oil on canvas.

John Thomlinson and His Family, 1745

Arthur Devis

A work made of lithograph on ivory laid paper.

Opera Glasses, n.d.

John Copley

A work made of watercolor with blotting on thick, rough-textured, off-white wove paper.

Austrian Tyrol, 1910

John Marin

A work made of watercolor with wiping, scraping, and blotting, and graphite with charcoal, on lightweight, smooth, cream wove paper (left and lower edges trimmed), laid down on white wove card.

Skyline with Boats in Foreground, 1910

John Marin

A work made of oil on canvas.

Meetinghouse Hill, Roxbury, Massachusetts, 1799

John Ritto Penniman

A work made of encaustic and newspaper on canvas.

Figure 4, 1959

Jasper Johns

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