Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of pen and brown ink with brush and gray wash, over traces of black chalk, on tan laid paper, squared in red chalk, pieced and laid down on blue wove paper.

Holy Family with Saint John the Evangelist and the Infant John the Baptist, n.d.

Bartolomeo Cesi

A work made of color offset lithograph on cream wove paper, laid down on coated cream wove paper, lined with canvas.

In the East, 160 Million March Joyfully into the Future (160 millionen im osten schreiten froh in die Zukunft!), n.d.

John Heartfield

A work made of color etching and aquatint from seven copper plates on off-white japanese paper.

Untitled, 1992

Jasper Johns

A work made of stoneware (jasperware).

Cameo with Portrait of John Wesley, Late 18th century

Wedgwood Manufactory

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Abdul Hamid Khan, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of aquatint with etching and hand-coloring on cream wove paper.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of color photoscreenprint on white wove paper on white wove paper.

T-Shirt, 1972

John Loring

A work made of pen and black ink, over traces of graphite, on ivory laid paper.

Hector Chiding Paris, n.d.

John Flaxman

A work made of gelatin silver print.

"No mans land" from the Tiergarten, 1985, printed 2003/04

John Gossage

A work made of engraving in black on ivory laid paper.

Herodias with the Head of John the Baptist, 1528

Heinrich Aldegrever

A work made of gelatin silver print.

John Barrymore in "Hamlet", 1923

Edward Steichen

A colorful drawing of a skyscraper, its windows lit with red, against a royal blue night sky, sun at left and moon at right. A robed figured carrying a smaller figure stands atop the tower, larger than life, with Egyptian-style imagery of a cow and horizontal figure above them in the sky, three shorter buildings and a winged figure below.

John Hancock Center TOPS Design Competition, Elevation, 1983

Peggy Smolka Wolff

A work made of mezzotint in black on ivory wove paper.

The Covenant, from Illustrations of the Bible, 1832

John Martin

A work made of gelatin silver print.

The Guaranty (now Prudential) Building, Buffalo, New York, 1894–95, 1951/52

John Szarkowski

A work made of gelatin silver print.

American Landscape V, Chicago, 1939

John Gutmann

A work made of pen and brown ink (recto and verso) on cream laid paper.

Sketch of Nude Woman and Clothed Man (recto); Partial Sketch of Young Woman (verso), n.d.

Augustus Edwin John

A work made of hand-colored mezzotint on ivory laid paper.

Dulce Domum, or the Return from School, published December 1, 1790

John Jones

A work made of pen and black ink, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Achilles and Patroclus, n.d.

John Flaxman

A work made of graphite, with smudging and erasing, on cream wove paper.

Downtown, New York City (with color notes), c. 1924

John Marin

A work made of pen and black ink and black crayon on ivory laid paper.

The South will Soon be Demanding Restriction of Migration of it's Labor, 1923

John Tinney McCutcheon

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