Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color etching from three copper plates on white wove paper.

Land's End, 1978

Jasper Johns

A work made of mezzotint in black on ivory wove paper.

The Deluge, from Illustrations of the Bible, 1831

John Martin

A work made of pastel over lithograph on ivory wove paper.

Jubilee, 1962 and 1994

Jasper Johns

A work made of cotton, plain weave; copperplate and block printed.

Fragment Entitled "William Penn's Treaty with the Indians", c. 1785

John Boydell

A work made of color off-set lithograph on off-white wove paper.

Savarin, 1977

Jasper Johns

A work made of lithograph in black on japanese laid paper.

Portrait of John McLure Hamilton, n.d.

Archibald Standish Hartrick

A work made of etching on ivory laid paper tipped at the top two corners to ivory wove paper.

Fisherman's Home on Telegraph Hill, c. 1920

John W. Winkler

A work made of etching on cream wove paper.

Caliban, May 20, 1775 (originally published); published 1809

John Hamilton Mortimer

A work made of color lithograph on white wove paper.

Weapons/Grenade, 1971

John Doyle

A work made of etching on china paper.

Evening, 1881

John Henry Twachtman

A work made of watercolor over graphite on ivory wove paper, laid down on gray board.

Spanish Market Place, n.d.

John Whorf

A work made of silk and wild silk, plain weave; resist-dyed (batik).

Saints of the Christian Church, c. 1979

John W. Mulder

A work made of color silkscreen on white wove paper.

Pollo 136, 1972

John Loring

A work made of acrylic and black ink and graphite, with blue oil marker, on ivory japanese paper.

Mixed Message, 1994

John Himmelfarb

A work made of etching on ivory wove paper.

The Somnambulists, n.d.

John E. Coleman

A work made of watercolor over graphite on ivory wove paper.

Barbados, 1933

John Warner Norton

Red Peanut

Red Peanut, 1980

John Ahearn

A work made of etching in black ink on cream laid paper.

Bologna, 1893

Charles John Watson

A work made of oiled charcoal (recto), and charcoal and oiled charcoal (verso), on cream laid paper.

Sheet of Sketches: Female Nude Seen from Behind (recto); Sheet of Sketches: Female Nude, Front View (verso), 1898/1922

Augustus Edwin John

A work made of watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame.

Untitled (Green and White), 1917

John Marin

<<<27282930 >>>