Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of soft-paste porcelain, polychrome enamels and gilding.

John Milton, 1811/48

Derby Porcelain Manufactory

A work made of gouache on board.

Invasion: The Bivouac, 1942

John Atherton

A work made of watercolor and pen and brown ink, over graphite, on cream wove paper.

Young Ireland in Business for Himself, 1850/59

John Leech

A work made of gelatin silver print.

The Getty Tomb, Graceland Cemetery, Chicago, 1890, 1954/56

John Szarkowski

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Orkan Kahn, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of color etching from three copper plates on white wove paper.

Land's End, 1978

Jasper Johns

A work made of mezzotint in black on ivory wove paper.

The Deluge, from Illustrations of the Bible, 1831

John Martin

A work made of pastel over lithograph on ivory wove paper.

Jubilee, 1962 and 1994

Jasper Johns

A work made of etching on ivory laid paper tipped at the top two corners to ivory wove paper.

Fisherman's Home on Telegraph Hill, c. 1920

John W. Winkler

A work made of cotton, plain weave; copperplate and block printed.

Fragment Entitled "William Penn's Treaty with the Indians", c. 1785

John Boydell

A work made of color off-set lithograph on off-white wove paper.

Savarin, 1977

Jasper Johns

A work made of etching on cream wove paper.

Caliban, May 20, 1775 (originally published); published 1809

John Hamilton Mortimer

A work made of oil on canvas.

John Philip Kemble, c. 1795

Martin Archer Shee

A work made of carbon print.

Sir John McNeill, 1845, printed 1890/1900

David Octavius Hill

A work made of color lithograph on white wove paper.

Weapons/Grenade, 1971

John Doyle

A work made of etching on china paper.

Evening, 1881

John Henry Twachtman

A work made of watercolor over graphite on ivory wove paper, laid down on gray board.

Spanish Market Place, n.d.

John Whorf

A work made of gelatin silver print.

Untitled (John Borden Residence), 1950/55, printed 1973

Richard Nickel

A work made of silk and wild silk, plain weave; resist-dyed (batik).

Saints of the Christian Church, c. 1979

John W. Mulder

A work made of color silkscreen on white wove paper.

Pollo 136, 1972

John Loring

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