Curator

  • Art Institute Chicago
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A work made of watercolor on thick, rough textured, off-white wove paper.

Sketch of a Mountain, 1910

John Marin

A work made of silver.

Pair of Pine Tree Shillings, 1663–82

John Hull

A work made of gelatin silver print.

The Improbable Dome (No.1), The Selfridge Mansion, Lake Geneva, Wisconsin, 1964

Clarence John Laughlin

A work made of mezzotint in black on ivory wove paper.

The Death of Abel, from Illustrations of the Bible, 1831

John Martin

A work made of graphite with erasing on ivory wove paper.

Study for the Red Sun, Brooklyn Bridge, 1922/24

John Marin

A work made of gelatin silver print.

Elegy for Moss Land, 1940

Clarence John Laughlin

A work made of graphite on cream wove paper.

MIA (Dead Bird), 1985

John Wickenberg

A work made of mezzotint on off-white wove paper.

Peasant and Pigs, 1803

John Raphael Smith

A work made of gelatin silver print.

"No mans land" from the Tiergarten, 1988, printed 2003/04

John Gossage

A work made of stipple engraving on ivory wove paper.

Sir John Godsalve, 1796

Francesco Bartolozzi

A work made of black chalk, heightened with white chalk, on blue laid paper.

Sketch for "Siege of Gibraltar", 1785–89

John Singleton Copley

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

A Peasant Woman Digging in Front of Her Cottage, c. 1885

Vincent van Gogh

A work made of gelatin silver print.

John Bereman, n.d.

Kenneth Heilbron

A work made of pen and black ink, with green fiber-tipped pen, and hand-stamping, over photocopies (canograph), on cream wove paper.

One Year's Rent/John Haberk, 1991

J. S. G. Boggs

A work made of lithograph from one stone in black on ivory wove paper.

Target, 1960

Jasper Johns

A work made of graphite on cream wove paper.

Hogs Killing a Rattlesnake, c. 1930

John Steuart Curry

A work made of chromogenic print.

Wave, Lave, Lace, Pescadero Beach, California, March 1978

John Pfahl

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Amurat Kahn II, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of pen and black ink on tan laid paper.

Beheading of Saint John the Baptist, c. 1530

Jörg Breu, the elder

A work made of watercolor and pen and brown ink, over graphite, on cream wove paper.

Young Ireland in Business for Himself, 1850/59

John Leech

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