Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of watercolor and graphite on moderately thick, rough-textured, off-white wove paper.

Trees with Town in Distance, 1910

John Marin

A work made of color aquatint on tan japanese paper.

The Butterfly, 1920

John Taylor Arms

A work made of pen and brown ink, with brush and brown wash and white gouache, over graphite, on gray wove paper, laid down on ivory wove paper.

Bridge at Croyland, c. 1860–69

John Ruskin

A work made of watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed).

Other Side, c. 1920

John Marin

A work made of black pastel (recto and verso) on brown wove paper.

River Bank with Trees (recto); Herd of Cattle Beneath Trees, with Inset Sketch of Landscape (verso), 1796/1837

John Constable

A work made of etching on cream wove paper.

Snowstorm in the Village, 1925

John Sloan

A work made of letterpress on blue wove paper.

Portfolio Cover for Picturesque Views of American Scenery, No. I, 1819/21

John Hill

A work made of photogravure, plate 11 from the album "lord tennyson and his friends" (1893).

Sir John Herschel, 1867, printed c. 1893

Julia Margaret Cameron

A work made of pen and black ink, over graphite, on cream wove paper, laid down on ivory wove paper.

Polyphemus Begging Ulysses for More Wine, n.d.

John Flaxman

A work made of gelatin silver print.

John Barrymore in "Hamlet", 1923

Edward Steichen

A work made of pen and iron gall ink with brush and brown wash, on cream laid paper, laid down on ivory laid paper.

Saint John the Baptist Preaching, c. 1584

Luca Cambiaso

A work made of watercolor on thick, rough textured, off-white wove paper.

Sketch of a Mountain, 1910

John Marin

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Australian Pines, Fort DeSoto, Florida, February 1977, printed c. 1981

John Pfahl

A work made of silver.

Pair of Pine Tree Shillings, 1663–82

John Hull

A work made of gelatin silver print.

The Improbable Dome (No.1), The Selfridge Mansion, Lake Geneva, Wisconsin, 1964

Clarence John Laughlin

A work made of mezzotint in black on ivory wove paper.

The Death of Abel, from Illustrations of the Bible, 1831

John Martin

A work made of graphite with erasing on ivory wove paper.

Study for the Red Sun, Brooklyn Bridge, 1922/24

John Marin

A work made of pen and brown ink, over black chalk, on tan laid paper.

Saint John the Baptist Preaching, n.d.

Annibale Carracci

A work made of gelatin silver print.

Elegy for Moss Land, 1940

Clarence John Laughlin

A work made of graphite on cream wove paper.

MIA (Dead Bird), 1985

John Wickenberg

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