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A work made of lithograph from one stone in black on cream wove paper.

0, from 0-9, 1960–63

Jasper Johns

A work made of aquatint with etching and hand-coloring on cream wove paper.

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of wood engraving on white wove paper.

John Henry's Hand, 1935/42

Fred Becker

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

0, from 0-9, 1960

Jasper Johns

A work made of inkjet print.

Throws Left, from the series "A History of Graph Paper", 2014

John Houck

A work made of watercolor and graphite on moderately thick, rough-textured, off-white wove paper.

Trees with Town in Distance, 1910

John Marin

A work made of internal dye diffusion transfer print.

John and Lorraine Chamberlain, 1978

Andy Warhol

A work made of color aquatint on tan japanese paper.

The Butterfly, 1920

John Taylor Arms

A work made of pen and brown ink, with brush and brown wash and white gouache, over graphite, on gray wove paper, laid down on ivory wove paper.

Bridge at Croyland, c. 1860–69

John Ruskin

A work made of watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed).

Other Side, c. 1920

John Marin

A work made of oil on canvas.

Saint John the Baptist Preaching in the Desert, c. 1758–64

Jean Baptiste Henri Deshays

A work made of black pastel (recto and verso) on brown wove paper.

River Bank with Trees (recto); Herd of Cattle Beneath Trees, with Inset Sketch of Landscape (verso), 1796/1837

John Constable

A work made of stipple engraving on cream wove paper.

Sir John Gage, March 12, 1796

Francesco Bartolozzi

A work made of etching on cream wove paper.

Snowstorm in the Village, 1925

John Sloan

A work made of letterpress on blue wove paper.

Portfolio Cover for Picturesque Views of American Scenery, No. I, 1819/21

John Hill

A work made of pen and black ink, over graphite, on cream wove paper, laid down on ivory wove paper.

Polyphemus Begging Ulysses for More Wine, n.d.

John Flaxman

A work made of watercolor on thick, rough textured, off-white wove paper.

Sketch of a Mountain, 1910

John Marin

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Australian Pines, Fort DeSoto, Florida, February 1977, printed c. 1981

John Pfahl

A work made of silver.

Pair of Pine Tree Shillings, 1663–82

John Hull

A work made of gelatin silver print.

The Improbable Dome (No.1), The Selfridge Mansion, Lake Geneva, Wisconsin, 1964

Clarence John Laughlin

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