Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of soft-paste porcelain, polychrome enamels and gilding.

John Milton, 1811/48

Derby Porcelain Manufactory

A work made of granite.

Ram, c. 1930

John Bernard Flannagan

A work made of oil on canvas.

Sir John Shaw and his Family in the Park at Eltham Lodge, Kent, 1761

Arthur Devis

A work made of gelatin silver print.

Untitled (Lenin over Moscow), 1931

John Heartfield

A work made of collage composed of acrylic, with incising, on white wove paper, and cut-out white wove paper.

The Arch (16), 1976

John Willenbecher

A work made of brush and black and gray wash, over graphite, on cream wove paper.

Blinding of Elymas, c. 1807

John Constable

A work made of brush and brown wash over graphite, on ivory laid paper.

Woman with Baby Fleeing Across Moors, n.d.

John Constable

A work made of mezzotint in black on ivory wove paper.

Joshua Commanding the Sun to Stand Still, from Illustrations of the Bible, 1835

John Martin

A work made of hand-colored lithograph on wove paper.

Cervus Virginianus, 1848

John Woodhouse Audubon

A work made of carbon print.

Sir John McNeill, 1845, printed 1890/1900

David Octavius Hill

A work made of oil on canvas.

John Philip Kemble, c. 1795

Martin Archer Shee

A book cover with two black and orange blocks arranged on an angled grid with sans-serif type on a faded white background.

MSA 2. Moderni architektura v Ceskoslovensku (MSA 2. Modern Architecture in Czechoslovakia), 1930

Karel Teige

A work made of lithograph on paper.

Siena Cathedral, n.d.

John Copley

A work made of watercolor, over traces of graphite, on tan wove paper.

Merganser, February 29, 1890

John Ruskin

A work made of lithograph from one stone in black on cream wove paper.

0, from 0-9, 1960–63

Jasper Johns

A work made of gelatin silver print.

Untitled (John Borden Residence), 1950/55, printed 1973

Richard Nickel

John Galsworthy

John Galsworthy, 1926

Randall Davey

A work made of aquatint with etching and hand-coloring on cream wove paper.

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

0, from 0-9, 1960

Jasper Johns

A work made of inkjet print.

Throws Left, from the series "A History of Graph Paper", 2014

John Houck

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