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A work made of tempera on panel.

Saints John the Baptist and Catherine of Alexandria, c. 1350

Workshop of Paolo Veneziano

A work made of chromogenic color prints (5) mounted on paper; from the portfolio "artists & photographs" (1975).

Five Pickles (with Fingerprints) in The Shape of a Hand, 1975

John Baldessari

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

A work made of lithograph from one stone in white on tan wove paper.

Flag II, 1960

Jasper Johns

A work made of lithograph from one stone in black on ivory wove paper.

Cup We All Race 4, 1962

Jasper Johns

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on buff laid paper.

Copy of Halte de Calmouks, c. 1772

John Kirby Baldrey

A work made of mahogany and tulipwood, brass, iron, and glass.

Tall Case Clock, 1765–75

John Wood Jr.

A work made of etching with drypoint, selectively wiped, on ivory japanese paper.

Campanile San Pietro, Venice, 1907

John Marin

A work made of gelatin silver print.

John F. Kennedy, 1961

Archie Lieberman

A work made of graphite, black and blue acrylic, and watercolor, on ivory wove paper.

Untitled, 2001

Jasper Johns

A work made of aquatint with etching and hand-coloring on cream wove paper.

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of etching in black on ivory laid paper.

The Women's Page, 1905

John Sloan

A work made of silver and wood.

Chafing Dish, c. 1730

John Burt

A work made of lithograph on ivory wove paper.

Introducing John L. Sullivan, 1916

George Wesley Bellows

A work made of brush and brown wash, over graphite on buff wove card.

Fantastic Oriental Landscape, n.d.

John Martin

A work made of lithograph from one stone in black on ivory wove paper.

Coat Hanger I, 1960

Jasper Johns

A work made of lithograph on white nacre paper.

Friday's Lesson, 1962

John Paul Jones

A work made of oil on panel.

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, c. 1505

Piero di Cosimo

A work made of watercolor and white gouache, with pen and brown ink, over graphite, on gray wove paper.

Greta, 1876

John Ruskin

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