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A work made of oil on panel.

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, c. 1505

Piero di Cosimo

A work made of graphite on ivory wove paper.

Binfield Rectory and Church, Berkshire, 1816

John Constable

A work made of linen, plain weave underlaid with silk, plain weave with insert medallion of silk, warp-float faced satin weave; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk and linen in satin, split and stem stitches; couching and french knots; edged with silk and gilt-metal-strip-wrapped silk, plain weave with patterning wefts and complementary weft weave tapes; lined with silk, plain weave.

Chasuble with Medallion Depicting John the Baptist, 1575/1625

Andrea del Sarto

A work made of etching on china paper, laid down on ivory wove paper.

Road Scene, Heathersett, 1812

John Crome

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of mezzotint in black on ivory wove paper.

The Fall of Man, from Illustrations of the Bible, 1831

John Martin

A work made of chromogenic color prints (5) mounted on paper; from the portfolio "artists & photographs" (1975).

Five Pickles (with Fingerprints) in The Shape of a Hand, 1975

John Baldessari

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

A work made of lithograph from one stone in white on tan wove paper.

Flag II, 1960

Jasper Johns

A work made of lithograph from one stone in black on ivory wove paper.

Cup We All Race 4, 1962

Jasper Johns

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on buff laid paper.

Copy of Halte de Calmouks, c. 1772

John Kirby Baldrey

A work made of mahogany and tulipwood, brass, iron, and glass.

Tall Case Clock, 1765–75

John Wood Jr.

A work made of etching with drypoint, selectively wiped, on ivory japanese paper.

Campanile San Pietro, Venice, 1907

John Marin

A work made of aquatint with etching and hand-coloring on cream wove paper.

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of graphite, black and blue acrylic, and watercolor, on ivory wove paper.

Untitled, 2001

Jasper Johns

A work made of etching in black on ivory laid paper.

The Women's Page, 1905

John Sloan

A work made of silver and wood.

Chafing Dish, c. 1730

John Burt

A work made of brush and brown wash, over graphite on buff wove card.

Fantastic Oriental Landscape, n.d.

John Martin

A work made of lithograph from one stone in black on ivory wove paper.

Coat Hanger I, 1960

Jasper Johns

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