Curator

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Cross Form

Cross Form, 1962/63

John Mason

A work made of oil on panel.

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, c. 1505

Piero di Cosimo

A work made of linen, plain weave underlaid with silk, plain weave with insert medallion of silk, warp-float faced satin weave; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk and linen in satin, split and stem stitches; couching and french knots; edged with silk and gilt-metal-strip-wrapped silk, plain weave with patterning wefts and complementary weft weave tapes; lined with silk, plain weave.

Chasuble with Medallion Depicting John the Baptist, 1575/1625

Andrea del Sarto

A work made of cotton, plain weave; copperplate printed.

William Penn's Treaty with the Indians (Furnishing Fabric), c. 1800

John Boydell

A work made of oil on canvas.

The Covenant, c. 1843

Follower of John Martin

A work made of pen and black ink and brush and black ink and gray wash on cream wove paper.

Death of Ananias, 1795

John Constable

A work made of black chalk, with stumping, brush and gray wash ,and white gouache, on gray wove paper, tipped onto green wove paper.

Mountain Landscape, 1834/73

John Ruskin

A work made of lithograph on cream wove paper.

Saturday Afternoon on the Roof, 1919

John Sloan

A work made of pen and black ink on cream wove card.

A Fertile Field for Trouble, 1930

John Tinney McCutcheon

A work made of graphite on ivory wove paper.

St. Cergues, 1882

John Ruskin

A work made of etching on cream laid paper.

Connoisseurs of Prints, 1905

John Sloan

A work made of lithograph from one stone in black on ivory wove paper.

Flag I, 1960

Jasper Johns

A work made of lithograph in black, gray and pale yellow on white wove paper.

Pyre 2, 2004

Jasper Johns

Color drawing of a street-level view of a large Neoclassical building with rows of windows along the facade, an arched entrance, and dome.

World's Columbian Exposition Fine Arts Museum, Chicago, Illinois, Perspective, c. 1890–1891

John Wellborn Root

Black print on cream paper of a bearded man standing at center, dressed in a large cloak and tights, a sword at his feet.

The Tragic Actor (Rouvière in the role of Hamlet), 1865–66

Édouard Manet

A work made of lithograph from one stone on white japanese paper, laid down on black wove paper (chine collé).

Two Maps II, 1966

Jasper Johns

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of chromogenic print.

Michigan, 1985

John Alderson

A work made of cotton, satin weave; screen printed.

Arundel (Furnishing Fabric), 1960

John Piper

A work made of etching, selectively wiped, on ivory japanese paper.

Campiello San Rocco, 1907

John Marin

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