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A work made of lithograph from one stone on white japanese paper, laid down on black wove paper (chine collé).

Two Maps II, 1966

Jasper Johns

A work made of gelatin silver print.

U.S.A. Johns Hopkins University, c. 1960

Marc Riboud

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

A work made of chromogenic print.

Michigan, 1985

John Alderson

A work made of cotton, satin weave; screen printed.

Arundel (Furnishing Fabric), 1960

John Piper

A work made of etching, selectively wiped, on ivory japanese paper.

Campiello San Rocco, 1907

John Marin

A work made of lithograph from one stone in black on ivory wove paper.

0-9, 1960–63

Jasper Johns

A work made of gelatin silver print.

Jasper Johns (D), New York, November 18, 1983, printed 1984

Irving Penn

A work made of watercolor on ivory wove paper.

The Good Life XVI, 1979

John Stuart Ingle

A work made of graphite on ivory wove paper.

Binfield Rectory and Church, Berkshire, 1816

John Constable

A work made of oil on panel.

Fragment from Christ Carrying the Cross: Saint John the Evangelist, c. 1500

Jean Hey, (the Master of Moulins)

A work made of etching on china paper, laid down on ivory wove paper.

Road Scene, Heathersett, 1812

John Crome

A work made of pieced and embroidered “crazy” quilt top; dyed and printed silk, cotton, wool and metallic, plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, metallic and cotton embroidery threads.

John L. Sullivan Quilt, c. 1890

A work made of engraving in black on cream laid paper, laid down on cream laid paper.

The Penitence of Saint John Chrysostom, 1509

Lucas Cranach the Elder

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of mezzotint in black on ivory wove paper.

The Fall of Man, from Illustrations of the Bible, 1831

John Martin

A work made of graphite on tan wove paper.

Saint John the Baptist, with Sketch of Head, n.d.

Odilon Redon

A work made of chromogenic color prints (5) mounted on paper; from the portfolio "artists & photographs" (1975).

Five Pickles (with Fingerprints) in The Shape of a Hand, 1975

John Baldessari

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

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