Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood, fiberglass and lacquer.

Red Plank, 1969

John McCracken

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

The Captive Slave (Ira Aldridge), 1827

John Philip Simpson

Sketch of a female adult with shoulder-length hair holding her left hand up to her right cheek, eyes closed.

Head of Young Woman, Resting on Hand, 1928

John Bradley Storrs

Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.

Scenes from the Life of Saint John the Baptist, 1490/95

Bartolomeo di Giovanni

A work made of oil on canvas.

Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr., 1790

Charles Willson Peale

A work made of oil on canvas.

Movement: Boats and Objects, Blue Gray Sea, 1947

John Marin

Purple, black, blue inked drawing of shapes, human arm, music sheet.

Perilous Night, 1982

Jasper Johns

A work made of oil on canvas.

Portrait of the Artist, c. 1820/30

John Jackson

A work made of oil on canvas.

Madame Paul Escudier (Louise Lefevre), 1882

John Singer Sargent

A work made of oil on canvas.

Stamford after Brunch, 2000

John Currin

Winter landscape painting with rocky stream lined by orange leafed trees.

Icebound, c. 1889

John Henry Twachtman

A work made of gelatin silver print.

11-81-C-3A #3, 1954/81

Robert Rauschenberg

A work made of watercolor with black pencil on moderately thick, moderately textured, off-white wove paper (top and right edges trimmed).

Deer Isle, Maine, probably Movement No. 12—Boats and Pertaining Thereto, 1927

John Marin

A work made of watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card.

West Shore Docks, Weehawken, New Jersey, 1910

John Marin

A work made of watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Street Scene, 1910

John Marin

A work made of oil on canvas.

Hogs Killing a Snake, c. 1930

John Steuart Curry

A work made of oil on canvas.

Landscape (The Lock), c. 1820–25

John Constable

A work made of oil on canvas.

Cave Canem, 1944

John Graham

A work made of watercolor with blotting, on lightweight, moderately textured, ivory wove paper, laid down on white wove paper (left edge trimmed).

Buildings, 1910

John Marin

A work made of gelatin silver print.

Icy Road US 77 Near Brookings, in Eastern South Dakota, January 1948

John Vachon

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