Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of mezzotint, with etching on cream laid paper.

Christ Tempted in the Wilderness, 1824

John Martin

A work made of oil on copper.

Saint John the Baptist in the Wilderness, c. 1605

Adam Elsheimer

A work made of engraving on ivory wove paper.

The Courtship of Washington, 1860

John C. McRae

A work made of engraving on off-white laid paper.

The Beheading of St. John the Baptist, c. 1500

Master MZ

A work made of gelatin silver print.

Schlesinger & Mayer Department (later Carson Pirie Scott & Co.) Store, Chicago, Illinois, 1899–1904, 1954

John Szarkowski

A work made of tempera and oil on panel.

The Beheading of Saint John the Baptist, 1490/1500

Master of Palanquinos

A work made of watercolor, with pen and black ink and touches of gouache, over graphite, on ivory wove paper.

Edge of the Plain, 1919

John Northcote Nash

Belding Corticelli Thread Company, Quinnebaug River, Putnam, CT, ed. 5/30

Belding Corticelli Thread Company, Quinnebaug River, Putnam, CT, ed. 5/30, June 1989

John Pfahl

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Othman Kahn I, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of lithograph on paper.

Three Ladies at the Opera, 1917

John Copley

A work made of lithograph from one stone with embossing in black on ivory wove paper.

Coat Hanger Variation, 1960

Jasper Johns

A work made of red chalk on blue wove paper.

Ambrose McEvoy, n.d.

Augustus Edwin John

A work made of watercolor and opaque watercolor with scraping, over traces of graphite wove paper mounted on board.

Forest Scene, n.d.

John Singer Sargent

A work made of cotton, plain weave; copperplate printed.

William Penn's Treaty with the Indians (Furnishing Fabric), c. 1785

John Boydell

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Moonrise over Pie Pan, Capitol Reef National Park, Utah, October 1977, printed c. 1981

John Pfahl

A work made of watercolor with rewetting and touches of blotting, on thick, slightly textured, off-white wove paper (left and lower edges trimmed).

The Little Tree, Maine, 1914

John Marin

A work made of wool and silk, slit and double interlocking tapestry weave.

The Tent, from an Indo-Chinese or Indian Series, 1700/25

John Vanderbank

A work made of etching, selectively wiped, on cream wove paper.

Notre Dame, 1908

John Marin

A work made of watercolor over azo-blue line reproduction print on cream wove paper.

Sketch for a Stained Glass Window, n.d.

John La Farge

A work made of stoneware and glaze.

Vase, 1979

John Natale

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