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Abstract etching of circular forms assembled into groups against a background of dense crosshatch marks.

Globes, 1930

Jacques Villon

A work made of graphite with erasing on cream wove paper.

Figure 1, 1957

Jasper Johns

A work made of watercolor on ivory wove paper.

Girl in Spanish Costume, 1879/80

John Singer Sargent

A work made of oil on copper.

Saint John the Baptist in the Wilderness, c. 1605

Adam Elsheimer

A work made of watercolor over graphite on cream wove paper, laid down on cream wove paper.

Mont Saleve, c. 1840

John Ruskin

Walnut two part desk with mirrored doors flanked by fluted pilasters capped with gilded leafage capitals in the upper part and a drop front desk with small drawers and pigeon holes, and a lower portion with three drawers on either side and recessed knee hole section.

Secretary Cabinet, 1732

John Kirkhoffer

A work made of engraving on off-white laid paper.

The Beheading of St. John the Baptist, c. 1500

Master MZ

A work made of color lithograph on ivory wove paper.

Phosphorescence, 1963

John Hultberg

A work made of watercolor with blotting, and graphite, on moderately thick, rough-textured, off-white wove paper.

Landscape, or Hill and Village, No. 2, Chevreuse, 1909

John Marin

A work made of graphite and colored pencil, with incising, on mylar.

Circus Horses, c. 1941

John Marin

A work made of set of 23 color lithographs on tan wove card in case.

Revolutionary Museum of the USSR: October Letter Series—German Communist Party Posters (Muzei revoliutsii SSSR: otkrytie pisma seriia—Plakaty kompatrii germanii), 1933

John Heartfield

A work made of watercolor with touches of opaque watercolor and wax resist over graphite on ivory wove paper.

The Basin, Vizcaya, 1917

John Singer Sargent

A work made of watercolor with blotting and graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed).

Marin Island, 1915

John Marin

A work made of tempera and oil on panel.

The Beheading of Saint John the Baptist, c. 1490–c. 1500

Master of Palanquinos

A work made of metalpoint on off-white prepared paper.

Pseudo-Anatomy, No. 2, After Cowper's "Anatomy", 1732, 1947

John Wilde

A work made of pine, paint, and gold leaf.

Eagle, 1870–1900

John Haley Bellamy

A work made of watercolor over graphite on ivory wove paper.

The Patio, Vizcaya, 1917

John Singer Sargent

A work made of mezzotint in black on ivory wove paper.

The Creation, from Illustrations of the Bible, 1831

John Martin

A work made of cotton, plain weave; screen printed.

Cotswold (Furnishing Fabric), c. 1950

John Piper

A work made of steel, leather, and wood.

Flintlock Belt Pistol, c. 1780

John Murdoch

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