Curator

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A work made of albumen print.

Tombeau de la chrétienne. Vue du côté nord. (Tomb of the Christian Woman. View of the North Side.), 1855

John Beasley Greene

A work made of black and white chalks on blue wove paper.

The Woodcutters' Repast, 1815

John Linnell

A work made of oil on panel.

The Virgin and Saint John the Evangelist, c. 1520

Workshop of Jacob Cornelisz. van Oostsanen

A work made of etching on cream wove paper.

Copyist at the Metropolitan Museum, 1908

John Sloan

A work made of tempera on panel.

Saint John the Baptist in Prison Visited by Two Disciples, 1455–60

Giovanni di Paolo

A work made of oil on canvas.

Contemporary de Sade-John Wayne Gacy, 1981

Roger Brown

A work made of watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame.

Mountain Forms, New Mexico, 1930

John Marin

A work made of gelatin silver prints, with applied color.

Yellow (with Onlookers), 1986

John Baldessari

A work made of color wood engraving on cream wove paper.

The Retreat from Serbia, 1916

Robert John Gibbings

A work made of gelatin silver print.

Chicago, 1979

John Kimmich

A work made of color offset lithograph on cream wove paper, laid down on coated cream wove paper, lined with canvas.

Capitalism Robs You of the Last Piece of Bread (Das letzte Stück Brot raubt Ihnen der Kapitalismus), 1932

John Heartfield

A work made of graphite with erasing on cream wove paper.

Figure 1, 1957

Jasper Johns

A work made of watercolor on ivory wove paper.

Girl in Spanish Costume, 1879/80

John Singer Sargent

A work made of oil on canvas.

John Van der Wall, c. 1745

Thomas Hudson

A work made of watercolor over graphite on cream wove paper, laid down on cream wove paper.

Mont Saleve, c. 1840

John Ruskin

Walnut two part desk with mirrored doors flanked by fluted pilasters capped with gilded leafage capitals in the upper part and a drop front desk with small drawers and pigeon holes, and a lower portion with three drawers on either side and recessed knee hole section.

Secretary Cabinet, 1732

John Kirkhoffer

Abstract etching of circular forms assembled into groups against a background of dense crosshatch marks.

Globes, 1930

Jacques Villon

A work made of tempera on panel.

Salome Asking Herod for the Head of Saint John the Baptist, 1455–60

Giovanni di Paolo

A work made of color lithograph on ivory wove paper.

Phosphorescence, 1963

John Hultberg

A work made of watercolor with blotting, and graphite, on moderately thick, rough-textured, off-white wove paper.

Landscape, or Hill and Village, No. 2, Chevreuse, 1909

John Marin

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