Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black chalk and brush and pale brown wash, heightened with lead white (partially discolored), on ivory laid paper, tipped onto ivory laid paper.

Holy Family with the Infant Saint John the Baptist, 1580/85

Denys Calvaert

A work made of watercolor with blotting, wiping, and touches of scraping, and charcoal, on moderately thick, moderately textured, off white wove paper (right and lower edges trimmed).

The Tree, Bare Island, Maine, 1922

John Marin

A work made of lithograph on thin ivory laid paper.

Sun Bathers, Alassio, 1928

John Copley

A work made of gelatin silver print.

The Guaranty (now Prudential) Building, Buffalo, New York, 1894–95, 1951/52

John Szarkowski

A work made of hand-colored mezzotint on ivory wove paper.

Shepherd's Meal, published February 1, 1803

John Raphael Smith

A work made of terracotta.

One of the Set of the Four Evangelists: John, Modeled c. 1580

Alessandro Vittoria

A work made of etching, selectively wiped, on ivory japanese paper.

Chartres Cathedral, 1910

John Marin

A work made of lithograph in eight colors on black wove paper.

Lithograph A from Not Wanting to Say Anything About Marcel, 1969

John Cage

A work made of cotton, plain weave; screen printed.

Stones of Bath (Furnishing Fabric), 1962

John Piper

A work made of ivory.

Saint John of Nepomuk, c. 1750

Peter Hencke

A work made of etching in black on cream wove paper.

Turning out the Light, 1905

John Sloan

A work made of albumen print.

Tombeau de la chrétienne. Vue du côté nord. (Tomb of the Christian Woman. View of the North Side.), 1855

John Beasley Greene

A work made of black and white chalks on blue wove paper.

The Woodcutters' Repast, 1815

John Linnell

A work made of etching on cream wove paper.

Copyist at the Metropolitan Museum, 1908

John Sloan

A work made of pen and brown ink on ivory laid paper.

Sketches of the Emperor John VIII Palaeologus, a Monk, and a Scabbard, 1438

Pisanello

A work made of watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame.

Mountain Forms, New Mexico, 1930

John Marin

A work made of gelatin silver prints, with applied color.

Yellow (with Onlookers), 1986

John Baldessari

Abstract etching of circular forms assembled into groups against a background of dense crosshatch marks.

Globes, 1930

Jacques Villon

A work made of color wood engraving on cream wove paper.

The Retreat from Serbia, 1916

Robert John Gibbings

A work made of gelatin silver print.

Chicago, 1979

John Kimmich

<<<17181920 >>>