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A work made of engraving in black on ivory laid paper.

St. John on the Island of Patmos, 1550/60

Jean Duvet

A work made of carbon print.

Sir John Herschel, 1867, printed 1875

Julia Margaret Cameron

A work made of engraving in black on cream laid paper.

Daniel Mytens, 1630/45

Paul Pontius

A work made of watercolor and opaque watercolor with wax resist over graphite on ivory wove paper.

The Loggia, Vizcaya, 1917

John Singer Sargent

A work made of platinum-palladium print.

John Marin, New York, 1947, printed April 1977

Irving Penn

A work.

Opera, 1912

John Copley

A work made of etching in black on cream laid paper.

Jan Lievens, 1630/45

Lucas Emil Vorsterman

A work made of woodcut in black on cream wove paper.

Dublin under Snow, c. 1918

Robert John Gibbings

A work made of etching in black on cream wove paper.

Night Windows, 1910

John Sloan

A work made of graphite, with smudging and touches of white chalk, on cream tracing paper.

Head of a Woman, n.d.

John Graham

A work made of mezzotint, hand-colored with brush and watercolor, on ivory wove paper.

Selim Kahn III, from Portraits of the Emperors of Turkey, 1815

John Young

A work made of stumped charcoal on ivory laid paper.

Portrait of John Dewey, 1930/34

Henri Matisse

A work made of watercolor with blotting and wiping, and with charcoal, on thick, moderately textured, ivory wove paper (lower and left edges trimmed), in original frame.

Spring Rains, 1918

John Marin

A work made of etching on ivory laid paper.

Woolworth Building (The Dance), 1913

John Marin

A work made of lithograph on paper.

Landing of British Army under Abercrombie, n.d.

John Augustus Atkinson

A work made of watercolor on ivory wove paper.

The First Whisper of Love, c. 1889

John Douglas Miller

A work made of oil on canvas.

The Golden Age, 1875

Sir John Edward Poynter

A work made of oil on canvas.

Holy Family with the Infant St. John, c. 1700

Francesco Trevisani

A work made of carbon print.

Sir John Herschel, 1867, printed 1875

Julia Margaret Cameron

A work made of etching with plate tone on ivory japanese paper.

Bal Bullier, Paris, 1906

John Marin

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