Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of carbon print.

Sir John Herschel, 1867, printed 1875

Julia Margaret Cameron

A work made of engraving in black on ivory laid paper.

St. John on the Island of Patmos, 1550/60

Jean Duvet

A work made of platinum-palladium print.

John Marin, New York, 1947, printed April 1977

Irving Penn

A work made of lithograph in gray and yellow on ivory wove paper.

Untitled, 1963

John McLaughlin

A work made of mahogany, mahogany and satinwood veneers, and tulipwood.

Cylinder Desk, 1785–93

John Bankston

A work made of woodcut in black on cream wove paper.

House Painter, 1921

Robert John Gibbings

A work made of watercolor and graphite on lightweight, smooth, cream wove paper, laid down on white wove card.

Building, 1910

John Marin

Michigan Avenue Showing the Art Institute of Chicago

Michigan Avenue Showing the Art Institute of Chicago, 1960

John Falter

A work made of lithograph on ivory wove paper.

In Prison, 1963

John Hultberg

A work made of watercolor and opaque watercolor with printed paper fragments over traces of graphite on ivory wove paper.

Tarragona Terrace and Garden, c. 1908

John Singer Sargent

A work made of engraving hand-colored with watercolor on cream chine laid down on cream wove plate paper.

County Election, 1854

John Sartain

A work made of urethane foam and cord.

Untitled, 1966

John Angus Chamberlain

A work made of stumped charcoal on ivory laid paper.

Portrait of John Dewey, 1930/34

Henri Matisse

A work made of etching on off-white wove paper.

The Wake on the Ferry, 1949

John Sloan

A work made of gelatin silver print.

Schlesinger & Mayer Department (later Carson Pirie Scott & Co.) Store, Chicago, Illinois, 1899–1904, 1954

John Szarkowski

A work made of watercolor with blotting, fabricated charcoal, and charcoal wash, on moderately thick, moderately textured, ivory wove paper.

From Bold Island, Maine, 1923

John Marin

Porcelain vessel of woman riding rooster with elaborate plumage

Seated Male Nude, Arms Uplifted, 1917/21

John Singer Sargent

A work made of etching with plate tone on off-white wove paper.

Brooklyn Bridge from Brooklyn (The Sun), 1915

John Marin

A work made of photolithographs (9).

The Fallen Easel, 1988

John Baldessari

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